The Sick Child

The sick child is thought to be the artist’s sister. She is not a child but rather a young girl who is lying down or seated, with a blanket over her lower body and she faces a woman who is seated beside her, clutching the child’s left hand. We cannot see the woman’s face – it is turned down as she is bent over in apparent grief. While the painting’s title names the girl as the subject of the painting, it is the grieving woman and her attention to the girl that is particularly striking.

Death and the Child

Death and the Child depicts the anguish of a child who has been confronted with the corpse of her mother lying in bed. The child faces the viewer, hands pressing against her ears – she cannot bear to “hear”/ absorb what she has encountered; her face has an expression of fear and despair

Death in the Sickroom

In Death in the Sickroom several adults are scattered about, some standing, one woman sitting in the foreground; behind her another woman stands facing us. In the back of the room a figure sits on a chair, a blanket draped over her lap – presumably this is Munch’s sister. With his back to the wall an elderly man has both hands pressed to his chest. These individuals have come to help and mourn but they are isolated from each other, which adds to the grimness of the scene.

Image credits: wiki commons

Painting with Empathy: The Expressionist Art of Edvard Munch with Curator Øystein Ustvedt

Russell Teagarden 12.28.23 1863

Edvard Munch’s emotional portrayal of illness and suffering offers profound insights for health professionals and…

While in Oslo, Norway visiting family, Russell Teagarden went to the National Museum (Nasjonalmuseet) to speak with Øystein Ustvedt, who is a curator and noted expert on the art of Edvard Munch. The interview concentrates on Munch’s work expressing emotional dimensions of anxiety, illness, grief, and suffering. Ustvedt talks about how Munch’s life story explains the sources for his empathy and artistic inclinations, identifies and discusses the paintings particularly effective in expressing emotions illness and suffering generate, and considers how Munch’s work could benefit health professions students and practitioners. Russell’s 5½-year-old granddaughter teaches him how to say, “National Museum” and “goodbye,” in Norwegian, with varying success.

Links to paintings discussed:
Puberty (1894)
The Sick Child (1885)
Spring (1891) 
Sick Girl (Christian Krogh, 1881)
Death in the Sickroom (1893)
The Spanish Flu (1919)
Between the Clock and the Bed (1940-1943)
Melancholy (1892)
The Scream (1893)

Link to Russell Teagarden’s blog piece in According to the Arts on Øystein Ustvedt’s book, Edvard Munch: An Inner Life.
Link to National Museum (Nasjonalmuseet), Oslo

The Clinic & The Person is a podcast developed by our editor Russell Teagarden to summon or quicken the attention of health care professionals, their educators, researchers and others to the interests and plights of people with specific health problems aided through knowledge and perspectives the humanities provide.

Feature image from Wikipedia Commons

Three Paintings by Edvard Munch

Felice Aull 07.23.26 174

Edvard Munch transformed personal family tragedies into haunting paintings that reveal illness, grief, isolation, and…