It is one thing to read about bipolar disorder in a textbook, and another thing to observe it firsthand. Some of us have friends or family members whom we have seen in the throes of a manic episode. As a psychiatrist, I have witnessed mania at close range literally hundreds of times. But to be an audience member and to experience it in a way that manages to be both educational and entertaining is a rare privilege. And to do so as a multimedia event, fusing theater with visual arts, is surely unique.  

Sam Kissajukian’s one-man show 300 Paintings is a must-see that is currently enjoying a return engagement at the Vineyard Theatre in New York. (It is purely a coincidence that the theater, just off Union Square, is a block away from my former psychiatric office of eighteen years.)  

Kissajukian is an Australian stand-up comic. In 2021, during the pandemic, he experienced a five-month bipolar manic episode. During that time, despite having no previous background in visual arts, he decided to become a painter. Moving into a warehouse, he began to paint. He barely slept, frequently turning out multiple works a day. By the end of the episode he had created three hundred paintings, documenting his mental state.  

Kinssajukian has created the show he calls 300 Paintings as the culmination of his personal and artistic journey. The show has won numerous awards, including Best Comedy at Sydney Fringe 2022 and 2023, and the Mental Health Awareness Award at Adelaide Fringe 2024. It has played at the Edinburgh Fringe Festival, and it first came to the Vineyard last fall. He has also had several exhibitions of his paintings, and has come out as a strong advocate for mental health awareness. 

While 300 Paintings calls on the author’s experience as a comic, it is no mere stand-up routine. At 80 minutes it has the dimension and scope of a play. There are serious undertones, yet there are many undoubtedly funny parts: We hear how at his most grandiose Kinssajukian thinks of himself as a “Pisscasso” who goes through a blue period in days, rather than years. At another point he describes how he affected a beret. Funny or serious, he is always charming and engaging, and he breaks it up by showing projections of his work.  

There are times when the dialogue takes on the rapid, pressured speech of a person who is manic, and his thought process shows the jumping from topic to topic that a psychiatrist refers to as “flight of ideas,” But this feels intentional. At no time do you worry that the performer does not have it under control. And he readily attributes this to his rapid diagnosis and treatment by a psychiatrist.  

At the end of the performance, Kissajukian announces that a curated exhibition of his paintings is on view in the lobby, and that he will be available to meet the audience.  

Two Paintings by Kissajukian

Podcast

Web image provided by Sam Kissajukian

While in Oslo, Norway visiting family, Russell Teagarden went to the National Museum (Nasjonalmuseet) to speak with Øystein Ustvedt, who is a curator and noted expert on the art of Edvard Munch. The interview concentrates on Munch’s work expressing emotional dimensions of anxiety, illness, grief, and suffering. Ustvedt talks about how Munch’s life story explains the sources for his empathy and artistic inclinations, identifies and discusses the paintings particularly effective in expressing emotions illness and suffering generate, and considers how Munch’s work could benefit health professions students and practitioners. Russell’s 5½-year-old granddaughter teaches him how to say, “National Museum” and “goodbye,” in Norwegian, with varying success.

Links to paintings discussed:
Puberty (1894)
The Sick Child (1885)
Spring (1891) 
Sick Girl (Christian Krogh, 1881)
Death in the Sickroom (1893)
The Spanish Flu (1919)
Between the Clock and the Bed (1940-1943)
Melancholy (1892)
The Scream (1893)

Link to Russell Teagarden’s blog piece in According to the Arts on Øystein Ustvedt’s book, Edvard Munch: An Inner Life.
Link to National Museum (Nasjonalmuseet), Oslo

The Clinic & The Person is a podcast developed by our editor Russell Teagarden to summon or quicken the attention of health care professionals, their educators, researchers and others to the interests and plights of people with specific health problems aided through knowledge and perspectives the humanities provide.

Feature image from Wikipedia Commons

We explore two paintings, each rendering one of two different perspectives on tuberculosis (TB). We first take a close look at Alice Neel’s 1940 painting, T.B. Harlem, and focus on how it depicts the suffering and destruction TB caused, and reveals some of the social determinants of TB at the time. We then examine Thomas Lawrence’s 1794 painting, Portrait of Catherine Rebecca Grey, Lady Manners, and work through how it conveys the convergence of TB clinical manifestations with beauty ideals at the time.

Links:
Here are the links for the paintings we discuss:
T.B. Harlem, Alice Neel, 1940, oil on canvas
Portrait of Catherine Rebecca Grey, Lady Manners, Thomas Lawrence (1794), oil on canvas
The Sick Child, Edvard Munch, 1907, oil on canvas 

Background sources:
JAMA issue featuring cover with Alice Neel painting, T.B. Harlem, and William Barclay commentary.
Russell Teagarden’s According to the Arts blog piece on T.B. Harlem.
Hoban P. Alice Neel: The Art of Not Sitting Pretty. New York, St. Martin’s Press, 2010. Day, C. Consumptive Chic. London, Bloomsbury Visual Art; 2017, 189 pages.
Russell Teagarden’s According to the Arts blog piece on Carolyn Day’s book, Consumptive Chic.
Day C, Rauser A. Thomas Lawrence’s Consumptive Chic: Reinterpreting Lady Manners’s Hectic Flush in 1794, Eighteenth-Century Studies, vol. 49, no. 4 (2016) pp. 455–74. (Not open access)
Russell Teagarden’s According to the Arts blog pieces on The Sick Child, and on Munch’s approach to his painting, and podcast episode with Øystein Ustvedt, curator and Munch expert on Munch’s paintings rendering illness, suffering, and grief.
Here’s an image representative of the 1990s fashion trend known as “Heroin Chic” that we referred to during the podcast.

The Clinic & The Person is a podcast developed by our editor Russell Teagarden to summon or quicken the attention of health care professionals, their educators, researchers and others to the interests and plights of people with specific health problems aided through knowledge and perspectives the humanities provide.

Feature image by Bia W. A.