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	<title>domesticity &#8211; medhum.org</title>
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	<description>Cultivating empathy &#38; critical thinking in health, culture &#38; the arts</description>
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	<title>domesticity &#8211; medhum.org</title>
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		<title>A Tired Woman with Two Children by Jean-Baptiste Greuze</title>
		<link>https://medhum.org/multimedia/video/felice_aull/a-tired-woman-with-two-children-by-jean-baptiste-greuze/</link>
					<comments>https://medhum.org/multimedia/video/felice_aull/a-tired-woman-with-two-children-by-jean-baptiste-greuze/#respond</comments>
		
		<dc:creator><![CDATA[Felice Aull]]></dc:creator>
		<pubDate>Tue, 07 Oct 2025 13:34:54 +0000</pubDate>
				<category><![CDATA[Art Review]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[chaos]]></category>
		<category><![CDATA[children]]></category>
		<category><![CDATA[domesticity]]></category>
		<category><![CDATA[empathy]]></category>
		<category><![CDATA[exhaustion]]></category>
		<category><![CDATA[family life]]></category>
		<category><![CDATA[intimacy]]></category>
		<category><![CDATA[Jean-Baptiste Greuze]]></category>
		<category><![CDATA[motherhood]]></category>
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					<description><![CDATA[Two paintings by Jean-Baptiste Greuze capture weary domesticity and maternal intimacy.]]></description>
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<p class="wp-block-paragraph">Unlike other French painters of his era (late 18<sup>th</sup> century), Greuze often painted domestic scenes and his depictions of people are highly empathetic. This ink and chalk work focuses on a woman and two young children. The room they are in is sparsely furnished and almost dungeon-like. The woman seems exhausted, the left side of her head resting on her bent left arm, eyes appearing closed. Nearby in a corner, the children are tangled up with each other&#8211;playing or fighting. They pay the woman no heed&#8211;they are occupied with each other&#8211;yet, because they are close by, they are clearly her responsibility. Although it is not clear that the woman is the children&#8217;s mother, this work could be compared with Greuze&#8217;s study of &#8220;The Well-Beloved Mother&#8221;. </p>



<figure class="wp-block-image aligncenter size-full"><img fetchpriority="high" decoding="async" width="734" height="600" src="https://medhum.org/wp-content/uploads/2025/09/111.1999S.jpg" alt="" class="wp-image-11845" srcset="https://medhum.org/wp-content/uploads/2025/09/111.1999S.jpg 734w, https://medhum.org/wp-content/uploads/2025/09/111.1999S-300x245.jpg 300w" sizes="(max-width: 734px) 100vw, 734px" /><figcaption class="wp-element-caption">The well-beloved mother, <a href="https://www.artgallery.nsw.gov.au/collection/works/111.1999"> the Art Gallery of New South Wales </a></figcaption></figure>



<p class="wp-block-paragraph">In that drawing a mother leans back in her chair, surrounded by clamoring children who snuggle, kiss, pull at her. Clothing is scattered about – on the floor, on a basket. Several dogs lean toward the figures, adding to the domesticity of the scene.&nbsp;</p>



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<iframe title="Jean-Baptiste Greuze&#039;s Drawings" width="1310" height="983" src="https://www.youtube.com/embed/RL7NmWVmSF0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
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<p class="has-small-font-size wp-block-paragraph"><br>Web image from <a href="https://www.nga.gov/artworks/74179-tired-woman-two-children" target="_blank" rel="noreferrer noopener">National Gallery of Art</a>.</p>
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