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	<title>documentary &#8211; medhum.org</title>
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	<description>Cultivating empathy &#38; critical thinking in health, culture &#38; the arts</description>
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	<title>documentary &#8211; medhum.org</title>
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		<title>When AIDS Activism Went Inside a Hospital: Ward 5B at San Francisco General </title>
		<link>https://medhum.org/review/film-review/russell_teagarden/when-aids-activism-went-inside-a-hospital-ward-5b-at-san-francisco-general/</link>
					<comments>https://medhum.org/review/film-review/russell_teagarden/when-aids-activism-went-inside-a-hospital-ward-5b-at-san-francisco-general/#respond</comments>
		
		<dc:creator><![CDATA[Russell Teagarden]]></dc:creator>
		<pubDate>Mon, 23 Mar 2026 19:24:41 +0000</pubDate>
				<category><![CDATA[Film Review]]></category>
		<category><![CDATA[Focus]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[activism]]></category>
		<category><![CDATA[advocacy]]></category>
		<category><![CDATA[AIDS]]></category>
		<category><![CDATA[compassion]]></category>
		<category><![CDATA[COVID]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[epidemic]]></category>
		<category><![CDATA[focus-activism]]></category>
		<category><![CDATA[healthcare]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[HIV]]></category>
		<category><![CDATA[hospital]]></category>
		<category><![CDATA[LGBTQ]]></category>
		<category><![CDATA[medicine]]></category>
		<category><![CDATA[nursing]]></category>
		<category><![CDATA[San Francisco]]></category>
		<category><![CDATA[stigma]]></category>
		<guid isPermaLink="false">https://medhum.org/?p=14289</guid>

					<description><![CDATA[Documentary recounts San Francisco’s Ward 5B, where nurses and activists humanized AIDS care amid fear.]]></description>
										<content:encoded><![CDATA[
<h4 class="wp-block-heading"><strong>The Call</strong>&nbsp;</h4>



<p class="wp-block-paragraph">Out of the gay rights activism in the 1970s came AIDS activism in the early 1980s. By then, the incidence and severity of AIDS had become evident and caused enough fear to generate social backlash against those with the disease. This, along with federal government insouciance at the time, made it necessary for gay rights activists to extend their remit into advocacy for health care specialization and research advancements for AIDS. The expanded activism was visible on the streets and at governmental research institutions (e.g., National Institutes of Health). Where it was also taking place, and not in such an obvious way, was within certain hospitals.  </p>



<p class="wp-block-paragraph">San Francisco General Hospital answered the call&nbsp;first in 1983 when it&nbsp;created a special&nbsp;unit&nbsp;for the&nbsp;care of people with AIDS&nbsp;in “Ward 5B.”&nbsp;The unit was&nbsp;in operation through its move&nbsp;in 1986 into Ward 5A&nbsp;to&nbsp;accommodate more patients, and&nbsp;until 2003 when advances in antiretroviral treatment of AIDS made the&nbsp;unit&nbsp;no longer necessary. But&nbsp;throughout, the&nbsp;struggle to&nbsp;maintain&nbsp;and advance&nbsp;the&nbsp;unit&nbsp;medically, socially, and politically&nbsp;persisted. The documentary film, aptly named&nbsp;“<em>5B</em>,”&nbsp;covers the struggles, successes, and failures of the&nbsp;unit, and the activism&nbsp;required of&nbsp;the staff and advocates for its&nbsp;creation and ongoing&nbsp;viability.&nbsp;&nbsp;</p>



<h4 class="wp-block-heading"><strong>From the Inside</strong>&nbsp;</h4>



<p class="wp-block-paragraph">The story is told from various perspectives through interviews with key figures in&nbsp;the&nbsp;unit’s&nbsp;development and operation, and&nbsp;with&nbsp;archival footage of the unit&nbsp;and AIDS activism in the community. The most prominent among the key figures is Cliff Morrison, a clinical nurse&nbsp;specialist who spearheaded the idea for the&nbsp;unit&nbsp;and then managed it. Several other nurses who served in staff and supervisory positions are&nbsp;also&nbsp;featured. Participating physicians include Paul Volberding, an oncologist at the time who became pivotal in the development of effective HIV treatments, and Julie Gerberding, a physician treating patients on the unit who later became the Director of the Centers for Disease Control (CDC). Lorraine Day, the chief of orthopedic surgery at the hospital when the&nbsp;unit&nbsp;opened,&nbsp;is heard often as an opposing voice. Hank Plante, a local television news reporter,&nbsp;also appears&nbsp;frequently&nbsp;to offer his perspectives on many of the social and political issues swirling around the&nbsp;unit. Among other participants are AIDS activists, volunteers, and family members of&nbsp;unit&nbsp;patients.&nbsp;</p>



<p class="wp-block-paragraph">Several storylines frame the documentary including how nurses drove the unit’s&nbsp;inception&nbsp;and then were instrumental in running it. “Nurses were in charge,” said Volberding, admiringly. Interwoven throughout the film are the experiences of the patients and individual nurses, including one nurse who was infected with HIV from a needle stick. “Those nurses were the real heroes,” said one activist.   &nbsp;</p>



<p class="wp-block-paragraph">Rare is the story, though, about heroes who&nbsp;aren’t&nbsp;confronted with daunting challenges, and thus this documentary includes a storyline involving attacks the unit nurses&nbsp;encountered&nbsp;from inside the hospital. The nurses of this unit practiced in ways they considered safe but not in such a manner that would&nbsp;preclude&nbsp;them from touching patients or require&nbsp;them to don so much protective gear they become unseeable. Nurses and clinicians from other units objected and did not want to be compelled to adopt practices they thought endangered them on the occasions they took care of AIDS patients. The film follows this story through union grievances and public debates to their conclusion, which sided with the unit nurses and their advocates. The spirit of activism&nbsp;among the unit staff&nbsp;was pivotal in fending off the many challenges they faced.&nbsp;</p>



<h4 class="wp-block-heading"><strong>Keeping in Touch</strong>&nbsp;</h4>



<p class="wp-block-paragraph">The documentary reveals stark juxtapositions that can manifest&nbsp;in the midst of&nbsp;an infectious epidemic, and&nbsp;in particular when&nbsp;an epidemic selects an identifiable group that is unwelcome in mainstream society. Two juxtapositions that stand out are the emotion of love with that of fear, and those who are&nbsp;deemed&nbsp;worthy with those who are considered disreputable.&nbsp;</p>



<p class="wp-block-paragraph">No treatments for the&nbsp;HIV&nbsp;infection or for the many horrid and lethal diseases resulting from AIDS&nbsp;were available when the unit opened—it was<strong> </strong>“a very, very unpleasant death” as one nurse put it. The nurses saw a big part of their role as offering love:&nbsp;“Here you were allowed to love your patients.”&nbsp;They offered it through human touch. Morrison’s view was, “If we can’t save&nbsp;these folks, we’re going to touch them.” To touch the patients in this way required that they balance it with the risk of exposure to infection and still&nbsp;comply with&nbsp;universal precautions. Nevertheless, fear was prevalent—some people were “truly hysterical” according to Gerberding—and it touched off conflict among the health care staff. “People were afraid…we found ourselves attacking each other…everyone was so stressed,” is how Volberding described the situation. This balance is one that is continuously negotiated in health care settings, but it was more pronounced during the early years of the AIDS epidemic, and at San Francisco General, it had to be mediated by hospital and union officials.&nbsp;</p>



<p class="wp-block-paragraph">At&nbsp;the&nbsp;time&nbsp;unit&nbsp;opened, and for a long while after, people with AIDS were scorned. The gay lifestyle was linked to the disease and so a view held by many was that the gay community deserved to be struck down by this plague. They were not worthy of all the human resources, technology, and money the disease&nbsp;required. The documentary brings this sentiment to life by showing the actions some people took to prevent getting these patients help,&nbsp;and&nbsp;the actions governments didn’t take to help them. Also shown, however, was&nbsp;how the activism of health care professionals and others in Ward 5B helped to overcome these obstacles.&nbsp;Without it in the case of&nbsp;the unit in&nbsp;Ward 5B, the activism in the streets outside the hospital alone may not have been enough.&nbsp;&nbsp;</p>



<h4 class="wp-block-heading"><strong>But Then</strong>&nbsp;</h4>



<p class="wp-block-paragraph">These fevers abated some when medical advances produced treatments that obviated the need for AIDS units, and changes in&nbsp;societal&nbsp;attitudes&nbsp;led to more acceptance of gay lifestyles. The next epidemic that targeted marginalized and susceptible&nbsp;groups would&nbsp;determine&nbsp;whether lessons&nbsp;learned&nbsp;from the time of this unit&nbsp;had&nbsp;been incorporated in response protocols.&nbsp;That opportunity&nbsp;came&nbsp;the year&nbsp;this documentary was released in 2019&nbsp;when Covid struck elderly people&nbsp;first and hardest,&nbsp;and especially those in communal living&nbsp;arrangements.&nbsp;&nbsp;</p>



<h4 class="wp-block-heading"><strong>Note:</strong>&nbsp;</h4>



<p class="wp-block-paragraph">The&nbsp;documentary was featured&nbsp;on the&nbsp;podcast&nbsp;episode,&nbsp;<em>How Terrible It Was</em>:<em>&nbsp;Three Takes on the AIDS Crisis with Dr. Ross Slotten</em>, which can be accessed&nbsp;<a href="https://medhum.org/interview/practitioner-interview/russell_teagarden/how-terrible-it-was-three-takes-on-the-aids-crisis-with-dr-ross-slotten/" target="_blank" rel="noreferrer noopener">here on&nbsp;medhum</a>. In addition to the documentary, the podcast episode included the novel,<em> The Great Believers</em>, and the memoir,&nbsp;<em>The Plague Years</em>:<em>&nbsp;A Doctor’s Journey through the AIDS Crisis&nbsp;</em>were discussed. The author of the memoir, Dr. Ross Slotten, joined the podcast as a guest.&nbsp;</p>



<p class="has-palette-color-5-background-color has-background has-small-font-size wp-block-paragraph"><strong>Title image credit:&nbsp;<br></strong>James Steakley, CC BY-SA 4.0 &lt;https://creativecommons.org/licenses/by-sa/4.0&gt;, via Wikimedia Commons&nbsp;<br><br><strong>Documentary information:&nbsp;</strong><br>Film title: 5B<strong><br></strong>Directors: Paul Haggis, Dan Krauss&nbsp;<br>Studio: Vertical Entertainment&nbsp;<br>Viewing source: Amazon Prime&nbsp;<br>U.S. release date:&nbsp;June,&nbsp;2019&nbsp;<br>Run time:&nbsp;134 minutes &nbsp;</p>



<h4 class="wp-block-heading">Trailers from 5B Film</h4>



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<iframe title="5B Official Trailer – Presented by RYOT a Verizon Media Company" width="1310" height="737" src="https://www.youtube.com/embed/QUxZO3zO1x0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
</div></figure>



<figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper">
<iframe title="5B Official Audience Reactions – Presented by RYOT a Verizon Media Company" width="1310" height="737" src="https://www.youtube.com/embed/oJimgNhhYIo?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
</div></figure>



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<iframe title="5B Official Trailer – Presented by RYOT a Verizon Media Company" width="1310" height="737" src="https://www.youtube.com/embed/d3D7IWTohps?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
</div></figure>
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		<title>Julie Ridge : Bipolar &#038; The English Channel </title>
		<link>https://medhum.org/interview/artist-interview/guy_glass/julie-ridge-bipolar-the-english-channel/</link>
					<comments>https://medhum.org/interview/artist-interview/guy_glass/julie-ridge-bipolar-the-english-channel/#respond</comments>
		
		<dc:creator><![CDATA[Guy Glass]]></dc:creator>
		<pubDate>Wed, 03 Dec 2025 22:21:10 +0000</pubDate>
				<category><![CDATA[Announcement]]></category>
		<category><![CDATA[Artist Interview]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[athlete]]></category>
		<category><![CDATA[awareness]]></category>
		<category><![CDATA[bipolar]]></category>
		<category><![CDATA[disorder]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[endurance]]></category>
		<category><![CDATA[France]]></category>
		<category><![CDATA[Julie Ridge]]></category>
		<category><![CDATA[mental health]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[open water]]></category>
		<category><![CDATA[psychiatry]]></category>
		<category><![CDATA[resilience]]></category>
		<category><![CDATA[social work]]></category>
		<category><![CDATA[swim]]></category>
		<category><![CDATA[theater]]></category>
		<category><![CDATA[UK]]></category>
		<guid isPermaLink="false">https://medhum.org/?p=9644</guid>

					<description><![CDATA[Julie Ridge’s one-woman show Bipolar &#038; The English Channel explores her journey as a record-breaking swimmer and living with bipolar disorder.]]></description>
										<content:encoded><![CDATA[
<p class="has-palette-color-5-background-color has-background wp-block-paragraph"><strong>There will be an encore production of Julie&#8217;s play in December 2025 in New York City at Theater Row Theaters</strong> &#8211; Theater 5, 410 W 42 Street (between 9th and 10th Ave)<br><br>Opening Night, Wednesday, December 3rd at 7:00 pm.<br>Evening performances at 7 pm. Saturday and Sunday matinees at 2 pm.<br>Closing day Sunday December 14th at 2:00 pm<br><br>For full calendar, and tickets go to Theater Row&#8217;s website at: <a href="https://bfany.org/theatre-row/shows/bipolar-the-english-channel/">https://bfany.org/theatre-row/shows/bipolar-the-english-channel/</a></p>



<figure class="wp-block-image alignright size-large is-resized"><img loading="lazy" decoding="async" width="731" height="1024" src="https://medhum.org/wp-content/uploads/2025/03/BrowserPreview_tmp-4-731x1024.jpg" alt="" class="wp-image-9647" style="width:280px" srcset="https://medhum.org/wp-content/uploads/2025/03/BrowserPreview_tmp-4-731x1024.jpg 731w, https://medhum.org/wp-content/uploads/2025/03/BrowserPreview_tmp-4-214x300.jpg 214w, https://medhum.org/wp-content/uploads/2025/03/BrowserPreview_tmp-4-768x1075.jpg 768w, https://medhum.org/wp-content/uploads/2025/03/BrowserPreview_tmp-4-1097x1536.jpg 1097w, https://medhum.org/wp-content/uploads/2025/03/BrowserPreview_tmp-4.jpg 1280w" sizes="auto, (max-width: 731px) 100vw, 731px" /></figure>



<p class="wp-block-paragraph">On September 9, 1982, on her 25th birthday, Julie Ridge became the 242nd person to swim from England to France. On April 11, 1991, Ridge was hospitalized for 21 days and unceremoniously received a diagnosis of bipolar disorder I. Julie’s one-woman show <em>Bipolar &amp; The English Channel</em><strong> </strong>tells the story of how a casual mile-a-day pool swimmer became an English Channel swimmer in nine short months and her 17-hour, 55-minute zig-zag journey across those grey murky seas. It also tells the less glamorous story of a world-record holding endurance athlete who wakes up one not-so-fine day floridly manic, locked down on an unforgiving New York City psychiatric ward &#8211; and her arduous journey back to sanity and a fulfilling life.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">On March 26, The College of Physicians of Philadelphia presented a performance of Julie Ridge’s one-woman show: <strong><a href="https://collegeofphysicians.org/events/bipolar-english-channel-one-woman-show" target="_blank" rel="noreferrer noopener"><em>https://collegeofphysicians.org/events/bipolar-english-channel-one-woman-show</em></a>&nbsp;</strong>In advance of the event, Guy Glass has had the pleasure of speaking with writer and performer Julie Ridge about her work.&nbsp;</p>



<p class="wp-block-paragraph"><strong>Guy:&nbsp;</strong>Julie, I had the privilege of seeing your show <em>Bipolar and the English Channel</em> a couple of years ago in New York. It was informative, entertaining, and inspirational. As you know, I help arrange programming for the College of Physicians of Philadelphia. As a psychiatrist and playwright, theatrical representations of mental health issues are right up my alley. I am so glad it is working out to have you bring it to the College!&nbsp;</p>



<p class="wp-block-paragraph">The very striking title of your piece brings together two images that seem completely unrelated, but you fuse them together so convincingly. Can you say something about your background that sheds some light on the title, about your life as a swimmer, and then your discovery of your diagnosis?&nbsp;</p>



<figure class="wp-block-image alignright size-full is-resized"><img loading="lazy" decoding="async" width="600" height="898" src="https://medhum.org/wp-content/uploads/2025/03/BrowserPreview_tmp-5.jpg" alt="" class="wp-image-9648" style="width:280px" srcset="https://medhum.org/wp-content/uploads/2025/03/BrowserPreview_tmp-5.jpg 600w, https://medhum.org/wp-content/uploads/2025/03/BrowserPreview_tmp-5-200x300.jpg 200w" sizes="auto, (max-width: 600px) 100vw, 600px" /><figcaption class="wp-element-caption">Julie Ridge</figcaption></figure>



<p class="wp-block-paragraph"><strong>Julie:&nbsp;</strong>With the title, I’ve tried to conjure the image of how my life with bipolar disorder and my unlikely swim across the English Channel run parallel to each other and are symbiotically intertwined. My decision to the swim the English Channel came on as spontaneously as a manic episode. I tell the full story in the show, but the germ was planted when a friend who swam two miles-a-day broke his wrist, and I doubled my casual one mile a day in empathy for his mandatory pool abstinence. At the time, I was an actress performing in my first Broadway show and swam for peace of mind and to stay in shape. The story of learning I had bipolar disorder is the subject of the second act of the show &#8211; so, I ask your readers to come see it to hear the tale.&nbsp;</p>



<p class="wp-block-paragraph"><strong>Guy:&nbsp;</strong>Can you tell us how and why you decided to turn your story into a show? What is it like for you to perform? What has the reaction to the show been like, especially from the mental health community?&nbsp;</p>



<p class="wp-block-paragraph"><strong>Julie:&nbsp;</strong>After my diagnosis in 1991, I went back to school to get my master’s degree and became a psychiatric social worker. Over time, I’d developed a seminar that told the story of my English Channel swim and bipolar diagnosis. The decision to turn the informal seminar into a show first arose when I discovered I was a single hour shy of collecting my Actor’s Equity pension. I asked all my friends who were still in the theater if they could write me into a contract show, maybe as a person lying behind a couch or something, even just for the first act of one show, and I’d refund them my salary &#8211; I just needed that single hour to collect a lifetime pension. A couple of years went by, no offers were made, I was getting closer and closer to 65, so I decided to do it myself. I wasn’t going to lose my pension over one measly hour. &nbsp;</p>



<p class="wp-block-paragraph">On the 5th Anniversary of the non-profit organization I founded in memory of my dad, I pulled together the least expensive Actor’s Equity contract possible that would get me that hour. That contract was four staged readings at the Studio Theater on Theater Row off Broadway in New York City. It was the first time I’d disclosed my bipolar disorder publicly and, frankly, I was terrified. But community members, family, buddies from high school and college, and colleagues were incredibly warm and receptive.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">That four-day run led to performances in the United Solo Festival off Broadway for two consecutive years. A performance at my sister’s temple outside of Boston was seen by a friend with connections to the Sedona Festival, which led to another gig at the JCC in Hartford Ct and so on. It’s my hope that I will be able to perform the show each year in venues across the country.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">As for how it is to perform it &#8211; I actually have acute social phobia and get terribly anxious every time I perform the show. It’s odd, because performing when I was an actress was easy and highly enjoyable. But those shows were written by other people and not about my life. Doing something so intimate and personal is quite different. I never know how it’s going to land and be received.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph"><strong>Guy:&nbsp;</strong>I see that in addition to <em>Bipolar &amp; The English Channel, </em>there is<em> </em>a documentary film about you. Can you say something about how this came about? &nbsp;</p>



<p class="wp-block-paragraph"><strong>Julie:&nbsp;</strong>Seems there’s a story behind everything! Zac Norrington, a film student at the New School in New York City needed a subject for his Capstone project senior year. Long distance swimming and cold-water swimming was something of personal interest to him because of a near-death experience his grandfather had. Zac brilliantly thought to contact Ned Dennison, the Director of the International Marathon Swimming Hall of Fame (IMSHOF) for recommendations on swimmers he might interview in New York. Turns out that swims I’d done in 1983 and 1985 put me in the record books. My athletic resume in the 1980s was out of the ordinary, and to my amazement, I was inducted into IMSHOF in 1985.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">Ned recommended me and a couple of other swimmers. Zac interviewed a few of us, showed his preliminary work to his class and professor and they all said “forget about the other swimmers. Focus on Julie’s story.” He did. His short documentary BREATHE, is about the intersection of my double swim around Manhattan Island and my bipolar disorder. He submitted the doc to several festivals, we got showings at many of them, including the prestigious ReelAbilities Film Festival. At our last festival, The Greenwich Village Film Festival, we won Best Short Documentary. Zac was a wonderful director, cameraman, editor and producer. He completed the entire movie during the pandemic. I’m very impressed with the work he did culling together our interviews, still photos and archival footage. It’s been an honor attending talk backs to represent the film.&nbsp;</p>



<p class="wp-block-paragraph"><strong>Guy:&nbsp;</strong>Can you tell us about the organization you founded, the Frank Ridge Foundation? What its mission is, why you decided to start it, and about some the foundation’s projects? &nbsp;</p>



<p class="wp-block-paragraph"><strong>Julie:&nbsp;</strong>Ah, the subject nearest and dearest to my heart. Thanks for asking. Frank Ridge is my dad &#8211; one of the kindest and most loving dads a girl can be fortunate enough to have. Dad died in 2013 after 90 full years, rich with adventure, and community involvement. Pops supported everything I ever did, unquestioningly and unconditionally. He was by my side stroke after boring stoke for all of my swims, was in Hawaii melting in the heat with me when I completed the Ironman Triathlon and rode side-by-side with me as we biked 3,700+ miles across America. Dad was also a pretty smart businessman, and he left me and my sisters some money. I’ve never had much money &#8211; I chose lucrative fields like acting, writing and social work &#8211; so what he left felt like a fortune. I took almost half of my inheritance and founded a non-profit in his honor, the Frank Ridge Memorial Foundation, Inc. (frankridgememorialfoundation.org), dedicated to living well with mental health conditions through awareness and understanding. Our primary work is:&nbsp;&nbsp;</p>



<ul class="wp-block-list">
<li>Creating and facilitating resource-rich topical seminars, using accurate compassionate movies as the springboard for conversation, for community members and mental health practitioners required NY continuing education.&nbsp;&nbsp;</li>
</ul>



<ul class="wp-block-list">
<li>Maintaining our resource-rich website.&nbsp;</li>
</ul>



<ul class="wp-block-list">
<li>Providing meaningful part-time employment for individuals living well with mental health conditions.&nbsp;&nbsp;</li>
</ul>



<ul class="wp-block-list">
<li>And performing <em>Bipolar &amp; The English Channel</em> whenever the opportunity arises.&nbsp;</li>
</ul>



<p class="wp-block-paragraph">I’ve loved working for myself running this organization for the past 12 years and hope to keep on for as long as I am able!&nbsp; </p>



<h5 class="wp-block-heading">BREATHE TRAILER:&nbsp;</h5>



<figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper">
<iframe loading="lazy" title="Breathe (trailer)" width="1310" height="737" src="https://www.youtube.com/embed/zoYhFYmLtCM?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
</div></figure>



<p class="wp-block-paragraph"></p>



<h5 class="wp-block-heading">VIEW THE FILM HERE:&nbsp;</h5>



<p class="wp-block-paragraph"><a href="https://www.docnyc.net/film/doc-nyc-u-life-in-the-big-apple/breathe/">https://www.docnyc.net/film/doc-nyc-u-life-in-the-big-apple/breathe/</a></p>



<p class="has-small-font-size wp-block-paragraph"></p>



<p class="wp-block-paragraph"></p>
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		<title>Change Not Charity: The Americans with Disability Act</title>
		<link>https://medhum.org/review/film-review/lucy_bruell/change-not-charity-the-americans-with-disability-act/</link>
					<comments>https://medhum.org/review/film-review/lucy_bruell/change-not-charity-the-americans-with-disability-act/#respond</comments>
		
		<dc:creator><![CDATA[Lucy Bruell]]></dc:creator>
		<pubDate>Fri, 02 May 2025 14:42:01 +0000</pubDate>
				<category><![CDATA[Film Review]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[accessibility]]></category>
		<category><![CDATA[activism]]></category>
		<category><![CDATA[ADA]]></category>
		<category><![CDATA[advocacy]]></category>
		<category><![CDATA[awareness]]></category>
		<category><![CDATA[children]]></category>
		<category><![CDATA[Disability]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[inclusion]]></category>
		<category><![CDATA[institutions]]></category>
		<category><![CDATA[justice]]></category>
		<category><![CDATA[legislation]]></category>
		<category><![CDATA[protests]]></category>
		<category><![CDATA[workforce]]></category>
		<guid isPermaLink="false">https://medhum.org/?p=10179</guid>

					<description><![CDATA[This powerful documentary chronicles the grassroots fight for disability rights, culminating in the landmark 1990 Americans with Disabilities Act (ADA).]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph"></p>



<p class="wp-block-paragraph"></p>



<p class="wp-block-paragraph"><em><strong>Change Not Charity</strong> </em>traces the grassroots movement leading to the passage in 1990 of the Americans with Disabilities Act (ADA), the law that mandates accessibility for the disabled. &nbsp;</p>



<figure class="wp-block-image alignright size-full is-resized"><img loading="lazy" decoding="async" width="512" height="512" src="https://medhum.org/wp-content/uploads/2025/05/8643d91a.jpeg" alt="" class="wp-image-10184" style="width:280px" srcset="https://medhum.org/wp-content/uploads/2025/05/8643d91a.jpeg 512w, https://medhum.org/wp-content/uploads/2025/05/8643d91a-300x300.jpeg 300w, https://medhum.org/wp-content/uploads/2025/05/8643d91a-150x150.jpeg 150w" sizes="auto, (max-width: 512px) 100vw, 512px" /><figcaption class="wp-element-caption">Jim LeBrecht&nbsp;</figcaption></figure>



<p class="wp-block-paragraph">People with disabilities have a long history of being isolated, excluded socially as well as physically from facilities that were not accessible. Beginning in the late 1960’s, Jerry Lewis’ Labor Day Telethons were watched by nearly half of the country and raised millions of dollars towards finding a cure for muscular dystrophy. But despite its good intentions, by arousing the audience’s pity of the disabled to attract donations, the telethons also heightened the distance between “normal” people and people with disabilities.&nbsp;</p>



<p class="wp-block-paragraph">Children were among those whose disabilities affected them in harmful ways. In one of the many interviews, Cynthia Jones describes how, at the age of five and a half, she was selected as a poster child for the March of Dimes because she was “blonde, blue-eyed, and braced.” When her teacher passed around a flyer to promote polio vaccines in class, she was horrified to see a picture of two children, one labeled “This”, the other “Not This.” Cynthia was the “Not This.” At that moment, she realized that no one wanted to be like her. In fact, many young children with disabilities were institutionalized and kept out of the public eye.&nbsp;</p>



<p class="wp-block-paragraph">In February 1972, reporter Geraldo Rivera’s broadcast from inside Willowbrook State School, an institution for disabled children on Staten Island, shocked the nation and helped spark the disability rights movement. At the same time, a group of disabled college students in Berkeley, with a donation from the Rotary Club, formed the Center for Independent Living (CIL), offering services which included applying for government assistance, counseling and transportation. CIL drew disabled people from throughout the country who wanted to live in a place where they could find support and practical help. Judy Heumann, a disability rights advocate who had successfully sued the NYC Board of Education when she was denied a teaching position, became the Center’s Deputy Director.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">&nbsp;In 1973, an update to the Federal Rehabilitation Act was enacted to help veterans. At the end of the document there was a 46-word clause, Section 504, barring discrimination against the disabled in federally funded institutions. People with disabilities took note, but the new regulations languished unsigned until demonstrators occupied the Federal Building in San Francisco and protested in Washington DC. The demonstrations drew national attention and led to Health, Education and Welfare Secretary Joseph Califano signing the regulation into law. Years later, the passage of the Americans with Disabilities Act expanded the earlier regulation to include private institutions and businesses.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">The story of the disability rights movement has elements that resonate today. Letter-writing campaigns and connections forged with members of Congress and the Executive Branch helped garner support for pending legislation and advance the movement’s agenda. Justin Dart, Vice Chair of the National Council of the Handicapped, crisscrossed the country holding town meetings to find out about discrimination in local communities. He issued his findings in a report titled “Toward Independence,” which served as a roadmap for disability legislation.&nbsp;</p>



<p class="wp-block-paragraph">The Americans with Disabilities Act (ADA) was initially introduced in 1988, at which time opponents called it the bankruptcy bill because the cost of creating accessible spaces was considered too exorbitant. In Washington DC, people parked their wheelchairs and maneuvered up the steps to the US Capitol into the Rotunda where over 100 protesters were arrested. ADA was finally passed two years later in 1990 with the support of President George H.W. Bush. &nbsp;&nbsp;</p>



<p class="wp-block-paragraph">The disability rights movement led to significant change in large part because people showed up repeatedly over the years in multiple venues across the country to ensure their voices were heard. And while much has been achieved, the documentary ends with a reminder that there is still more work needed, citing that two out of three adults with disabilities are not in the work force.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph"><em><strong>Change Not Charity</strong>,</em> part of the PBS’s American Experience series, is a comprehensive overview of the pivotal events leading up to the passage of ADA, using archival footage of demonstrations and interviews with participants, Congressmen, and legal advocates. The documentary is directed by Jim LeBrecht, who won the Academy Award for his previous documentary <em><strong>Crip Camp</strong>,</em> a more personal documentary, with its focus on some of the key people in the movement beginning with their experiences at the sleepaway camp. Both documentaries provide insight into the struggles faced by the disabled and the efforts to advance disability rights. &nbsp;</p>



<h4 class="wp-block-heading"><em>Change Not Charity </em>Film Trailer</h4>



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<iframe loading="lazy" title="Trailer | CHANGE, NOT CHARITY: THE AMERICANS WITH DISABILITIES ACT | American Experience | PBS" width="1310" height="737" src="https://www.youtube.com/embed/6xoQU3OPhDE?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
</div></figure>



<p class="has-palette-color-5-background-color has-background has-small-font-size wp-block-paragraph"><strong>CHANGE NOT CHARITY </strong>&nbsp;<br><br>Director: Jim LeBrecht&nbsp;<br>Narrator: Peter Dinklage<br>A STEWARD/GAZIT PRODUCTIONS FILM FOR AMERICAN EXPERIENCE 2025&nbsp;<br>RT 53 minutes&nbsp;</p>


<div  class="ultp-post-grid-block wp-block-ultimate-post-post-list-3 ultp-block-9f9e8e "><div class="ultp-block-wrapper" ><div class="ultp-loading"><div class="ultp-loading-spinner" style="width:100%;height:100%"><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div><div></div></div></div><div class="ultp-block-items-wrap ultp-block-row ultp-block-column-1 ultp-block-content-middle ultp-block-content-true ultp-layout1"><div class="ultp-block-item ultp-block-media post-id-8938"><div class="ultp-block-content-wrap"><div class="ultp-block-image ultp-block-image-zoomIn"><a href="https://medhum.org/review/film-review/carol_schilling/crip-camp-a-disability-revolution/" ><img decoding="async"  alt="Crip Camp: A Disability Revolution "  src="https://medhum.org/wp-content/uploads/2025/01/crip_camp-768x432.jpg" /></a></div><div class="ultp-block-content"><h3 class="ultp-block-title "><a href="https://medhum.org/review/film-review/carol_schilling/crip-camp-a-disability-revolution/" >Crip Camp: A Disability Revolution </a></h3><div class="ultp-block-meta ultp-block-meta-dot ultp-block-meta-style3"><span class="ultp-block-author ultp-block-meta-element"><img decoding="async" loading="lazy" class="ultp-meta-author-img" src="https://medhum.org/wp-content/uploads/2025/02/Screen-Shot-2025-02-18-at-4.03.15-PM-150x150.png" alt="By" /><a class="" href="https://medhum.org/author/carol_schilling/">Carol Schilling</a></span><span class="ultp-block-date ultp-block-meta-element"><svg xmlns="http://www.w3.org/2000/svg" fill="none" viewBox="0 0 24 24">
  <path stroke="currentColor" stroke-linecap="round" stroke-linejoin="round" stroke-width="1.5" d="M3 5.5a2 2 0 0 1 2-2h14a2 2 0 0 1 2 2v14a2 2 0 0 1-2 2H5a2 2 0 0 1-2-2v-14ZM8 2v3m8-3v3M3 9h18"/>
</svg>
Jan 3, 2025</span></div><div class="ultp-block-excerpt"><p>A powerful film celebrating disability rights, resilience, and community, revealing untold struggles and triumphs that demand greater recognition and action</p>
</div></div></div></div></div></div><div class="pagination-block-html" aria-hidden="true" style="display: none;"></div></div>]]></content:encoded>
					
					<wfw:commentRss>https://medhum.org/review/film-review/lucy_bruell/change-not-charity-the-americans-with-disability-act/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>The Remarkable Life of Ibelin</title>
		<link>https://medhum.org/review/film-review/dave_hsu/the-remarkable-life-of-ibelin/</link>
					<comments>https://medhum.org/review/film-review/dave_hsu/the-remarkable-life-of-ibelin/#respond</comments>
		
		<dc:creator><![CDATA[Dave Hsu]]></dc:creator>
		<pubDate>Thu, 17 Apr 2025 12:28:42 +0000</pubDate>
				<category><![CDATA[Film Review]]></category>
		<category><![CDATA[Focus]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Apollo on Call]]></category>
		<category><![CDATA[blog]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[Disability]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[empathy]]></category>
		<category><![CDATA[focus-video-games]]></category>
		<category><![CDATA[friendships]]></category>
		<category><![CDATA[gaming]]></category>
		<category><![CDATA[Ibelin Redmoore]]></category>
		<category><![CDATA[Identity]]></category>
		<category><![CDATA[Mats Steen]]></category>
		<category><![CDATA[muscular dystrophy]]></category>
		<category><![CDATA[Norway]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[parenting]]></category>
		<category><![CDATA[podcast]]></category>
		<category><![CDATA[relationship]]></category>
		<category><![CDATA[resilience]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[Sundance]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[terminal illness]]></category>
		<category><![CDATA[theater]]></category>
		<category><![CDATA[video games]]></category>
		<category><![CDATA[virtual]]></category>
		<category><![CDATA[War]]></category>
		<category><![CDATA[warcraft]]></category>
		<category><![CDATA[World of Warcraft]]></category>
		<guid isPermaLink="false">https://medhum.org/?p=9971</guid>

					<description><![CDATA[A poignant documentary exploring how a young man with muscular dystrophy found profound connection and purpose in virtual worlds.]]></description>
										<content:encoded><![CDATA[
<h4 class="wp-block-heading">From Apollo on Call–a Medhum Podcast</h4>



<hr class="wp-block-separator has-text-color has-palette-color-12-color has-alpha-channel-opacity has-palette-color-12-background-color has-background is-style-wide" style="margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)"/>



<iframe style="border-radius:12px" src="https://open.spotify.com/embed/episode/372i765tswyrncDTsinKVO?utm_source=generator" width="100%" height="250" frameBorder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe>



<hr class="wp-block-separator has-text-color has-palette-color-12-color has-alpha-channel-opacity has-palette-color-12-background-color has-background is-style-wide" style="margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)"/>



<figure class="wp-block-image alignright size-full is-resized"><img loading="lazy" decoding="async" width="565" height="565" src="https://medhum.org/wp-content/uploads/2025/04/BrowserPreview_tmp-1.png" alt="" class="wp-image-9975" style="width:280px" srcset="https://medhum.org/wp-content/uploads/2025/04/BrowserPreview_tmp-1.png 565w, https://medhum.org/wp-content/uploads/2025/04/BrowserPreview_tmp-1-300x300.png 300w, https://medhum.org/wp-content/uploads/2025/04/BrowserPreview_tmp-1-150x150.png 150w" sizes="auto, (max-width: 565px) 100vw, 565px" /><figcaption class="wp-element-caption">Mats Sheen</figcaption></figure>



<p class="wp-block-paragraph">The <strong>Remarkable Life of Ibelin </strong>is a 2024 documentary about the life of Mats Steen, a Norwegian man who died from complications of Duchenne Muscular Dystrophy. The movie explores how Mats, unbeknownst to the people around him, adopts a full online persona that allows him to experience the fullness of the human experience through a video game, experiences that were denied to him in the physical world because of his illness.&nbsp;</p>



<p class="wp-block-paragraph">I grew up during the nascent age of video games and home computers. While our parents looked at computers as tools that might help us in the future, as children, we looked at computers mostly as a source of fun. We crowded around arcade machines at convenience stores and arcades, throwing away quarters until our pockets emptied. We congregated at our friends’ houses after school and on weekends, befriending whoever was fortunate enough to have a console or a computer powerful enough to support the latest graphics.&nbsp;</p>



<figure class="wp-block-image alignright size-full is-resized"><img loading="lazy" decoding="async" width="280" height="280" src="https://medhum.org/wp-content/uploads/2025/04/BrowserPreview_tmp.png" alt="" class="wp-image-9976" style="width:280px;height:auto" srcset="https://medhum.org/wp-content/uploads/2025/04/BrowserPreview_tmp.png 280w, https://medhum.org/wp-content/uploads/2025/04/BrowserPreview_tmp-150x150.png 150w" sizes="auto, (max-width: 280px) 100vw, 280px" /><figcaption class="wp-element-caption">Mats&#8217; online profile image (Ibelin)</figcaption></figure>



<p class="wp-block-paragraph">Now though, as a parent and physician, my nostalgic view of video games is tempered by a mixture of skepticism and fear when it comes to games and internet technology. To hear the skeptics discuss it, video games are one of the root causes of the obesity epidemic, and online games and social media are part of the teen mental health crisis. Schools bring in experts to teach parents the perils of children spending time online while pediatricians pound out guidelines that describe “healthy limits on screen time.” &nbsp;</p>



<p class="wp-block-paragraph">This month, on <strong>Apollo On Call</strong>, we sit down to talk about video games and how there is another side to this narrative. We look at the story of Ibelin and talk about how video games may add to our lives in ways that many of us have never considered.&nbsp;</p>



<p class="wp-block-paragraph">Thank you, Mats, for showing us a different way to think about the online world.&nbsp;</p>



<p class="wp-block-paragraph">Luki and Dave&nbsp;</p>



<hr class="wp-block-separator has-text-color has-palette-color-12-color has-alpha-channel-opacity has-palette-color-12-background-color has-background is-style-wide"/>



<p class="has-small-font-size wp-block-paragraph"></p>



<details class="wp-block-details has-palette-color-1-color has-text-color has-link-color has-small-font-size wp-elements-1 is-layout-flow wp-block-details-is-layout-flow" style="font-style:normal;font-weight:700" open><summary>TRANSCRIPT FROM THIS EPISODE</summary>
<p class="wp-block-paragraph">00:00&nbsp;</p>



<p class="wp-block-paragraph">Welcome to <strong>Apollo On Call</strong>, the podcast of MedHum.org. I&#8217;m your host, Dr. David Hsu. Hope you enjoy the show.&nbsp;</p>



<p class="wp-block-paragraph">00:18&nbsp;</p>



<p class="wp-block-paragraph">Alright, we are back on <strong>Apollo On Call</strong>, the podcast of <strong>MedHum.org</strong> and I&#8217;m your host, Dr. David Hsu, and I&#8217;m here with my co-host, Mr. Luki Danukarjanto, who is back, and we&#8217;re here to talk about movies.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">00:36&nbsp;</p>



<p class="wp-block-paragraph">LD: This is going to be a departure from our normal cadence, because we typically talk about books, but movies are a nice change.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">00:52&nbsp;</p>



<p class="wp-block-paragraph">DH: Alright. The movie that we&#8217;re talking about is <strong>The Remarkable Life of Ibelin</strong>, and it&#8217;s a really interesting movie. It exists right at the intersection of all the things we&#8217;re talking about &#8211; about medicine, life, death, technology. So Luki, give us a breakdown of what this movie is about and why we chose it.&nbsp;</p>



<p class="wp-block-paragraph">01:14&nbsp;</p>



<p class="wp-block-paragraph">LD: One of the reasons we chose it, it’s award winning. It won two awards at the 2024 Sundance Film Festival, was Oscar nominated and, well, it is also available on Netflix. They made it accessible for us. But essentially, this story is about Mats Steen. He is a Norwegian man who has Duchenne&#8217;s. And Duchenne&#8217;s is a disease of, I guess, the neurological area where it confines him into a wheelchair. So basically, as a young boy, he&#8217;s able to walk around, and as he gets older, then he has less and less mobility. The first part of the story goes through his life, His parents try to take care of him the best they can. He becomes a little bit more challenged in terms of being able to live through life. He gets more confined to his wheelchair, and he ends up in the world of video games.[The film] shows his parents talking to him, and basically a little bit upset, because he lives in this video game world, and he misses various life events &#8211; I think there was some key outing that they all were looking forward to go to, which he didn&#8217;t want to go to, because he had some sort of video game online event. The first part of it ends with him passing away, and his parents understand that he has this blog site where he talks a little bit about his adventures, and they post about his departure and his funeral, and they post it online, and unbeknownst to them, they start getting responses, and not just one response or 10. I think hundreds, if not thousands, of responses of how Mats, or Ibelin, in the game that was his online character, how he touched their lives. And then the second part of the story really talks about how his parents uncover this whole new world and life that Mats Steen or Ibelin lived unbeknownst to them, and how many lives that he touched, what things he did, all in an online world that he wasn&#8217;t otherwise able to do in the real world because he was stuck in a wheelchair. So that&#8217;s the major premise. And Dave, what else would you add to it?&nbsp;</p>



<p class="wp-block-paragraph">03:55&nbsp;</p>



<p class="wp-block-paragraph">DH: I think you covered the main arc of the movie very, very well. I mean, that was basically everything that happened. The only thing I&#8217;m going to add is the game that he was actually playing was a game that people who know anything about computer games know about, and that&#8217;s <strong>World of Warcraft</strong>, which has been a very, very popular online game for more than 10 years, I think.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">04:14&nbsp;</p>



<p class="wp-block-paragraph">LD: I think it still has a following, and they keep releasing updates and things like that. So it probably isn&#8217;t as popular as it used to be, but I think it&#8217;s still fairly well-played.&nbsp;</p>



<p class="wp-block-paragraph">04:26&nbsp;</p>



<p class="wp-block-paragraph">DH: Right, now, people might be wondering, what does this movie have to do with MedHum, or medicine in the humanities? And actually, that was my initial take when I heard, you know, people talking about this movie during the MedHum, monthly meeting. But after I watched it, I was like, Okay, I kind of get this now because, you know, I went to medical school and did medical training, and I have this idea in my head that sure, there&#8217;s the humanities in medicine, like history of medicine, bioethics, science and society, these kind of topics, right? I didn&#8217;t think a movie about a video game or about a gamer would fit into this, but then I watched the movie, and I mean, of course, Mats is dying. He has a terminal illness. It&#8217;s a very sad story that way. But that&#8217;s definitely the medical angle in terms of how we access the story from a medical standpoint. But then this whole business about how the game can support his emotional well-being, and how the game can add to his mental health, and even so far as the movie continues, it actually doesn&#8217;t talk just about Mats. Some of these friends that he meets online enter the story in the second half of the movie, right? And we actually hear from them how much Mats helped them. They tell us about their own troubles, like, why were they on <strong>World of Warcraft</strong>? Why did they need Mats to help them through their personal life problems? And then you start to realize that the game is a therapeutic tool in a way, right? Which I never would have thought about before, right? I mean, honestly, most days when I think about games as a parent, I&#8217;m like, No more games. Turn off the computer to the kids all the time, right? So this presented this whole technology of gaming in a different light, and I thought it was really, really interesting, and made me really challenge my assumptions of what medical humanities is all about. It really broadened my understanding of it. So that&#8217;s what we&#8217;re here to talk about.&nbsp;</p>



<p class="wp-block-paragraph">06:36&nbsp;</p>



<p class="wp-block-paragraph">LD: It also puts a bit of a modern spin to it, because traditionally, you wouldn&#8217;t have thought video games, but with the prevalence of things like VR, it&#8217;s just a matter of time until more people will be sucked into these worlds. And with AI, who knows what&#8217;s going to happen with all that as well? So we&#8217;re probably just at the iceberg&#8217;s tip of all this coming through, and we probably need to watch more of these to be more prepared.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">07:05&nbsp;</p>



<p class="wp-block-paragraph">DH: Well I like it from the MedHum point of view, because it shows that we are at the cutting-edge of what is going on. Because there&#8217;s this idea that, you know, oh, you&#8217;re talking about medicine and the arts. It&#8217;s probably like some old book or that you&#8217;re going to read, right, some ancient text about something. But no, this is like cutting-edge modern stuff, and we&#8217;re here to break it down. Now, before we go any further, I think you and I should declare our bias. You know, people are always declaring their bias before these medical talks. Like, you know, I&#8217;m not an employee of this drug company, and so therefore I can give an unbiased opinion about such and such. We rarely will have the opportunity to do that. But regarding this movie, Luki, are you a gamer? Like, what is your stance on video games?&nbsp;</p>



<p class="wp-block-paragraph">07:48&nbsp;</p>



<p class="wp-block-paragraph">LD: I definitely was a gamer, for sure. I got into my career path, I took computer science as an undergrad because I wanted to code video games. I wanted to do that for a living, and so definitely growing up, it was a fixture of everyday life. Probably spent too many not restless nights on a console in front of a PC.&nbsp;</p>



<p class="wp-block-paragraph">08:19&nbsp;</p>



<p class="wp-block-paragraph">LH:Okay, so this is in your teens and 20s, I presume.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">08:23&nbsp;</p>



<p class="wp-block-paragraph">LD:Yeah.&nbsp;</p>



<p class="wp-block-paragraph">08:24&nbsp;</p>



<p class="wp-block-paragraph">DH: Okay, how about now?&nbsp;</p>



<p class="wp-block-paragraph">08:26&nbsp;</p>



<p class="wp-block-paragraph">LD: I’m a casual gamer, so right now I have some, I guess they&#8217;re called idle games, like little puzzle games that I probably spend too many hours than I should, right? They are a bit of a time suck, and then I&#8217;ll be like, Ah, I spent another hour or two on this stupid thing, and what did I gain from it? Not much. So I definitely have that, but not the hardcore console games. My kids have the Roblox, the Minecraft, the other things that they&#8217;re starting to get into. They try to get me to join their Brawl Stars club league or something, and I play with them a little bit, but that&#8217;s just more to help be that father figure to make sure they stay out of trouble. But okay, how about you, Dave, are you a gamer?&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">09:15&nbsp;</p>



<p class="wp-block-paragraph">DH: I used to be a bit of a gamer, but it sounds like if we had to, if we had standings, you would be higher in the standings of gaming than I. I used to play games regularly, I remember growing up, I was fascinated by computers. I loved playing games, but I didn&#8217;t spend a ton of time on it, right? Like, yes, long afternoons after school lets out, weekends booting up the computer first thing in the morning, for sure, but I think by the time I got into adult life, you know, as a resident and then working as a physician, I&#8217;ve gradually drifted away from games. I know some of my buddies who still play a lot, but I&#8217;m definitely someone who has kind of left that. So actually, I&#8217;ve never played <strong>World of Warcraft</strong>. I don&#8217;t know, have you played that before?&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">10:01&nbsp;</p>



<p class="wp-block-paragraph">LD: I have not. I know my younger brother did, and I would watch him play, try to understand his fascination with it. But I could see it, because at a point in time I probably would have jumped into that world.&nbsp;</p>



<p class="wp-block-paragraph">10:19&nbsp;</p>



<p class="wp-block-paragraph">DH: The <strong>World of Warcraft</strong> is the sequel to <strong>Warcraft II</strong> and <strong>Warcraft III</strong>, which are a couple outstanding classic games.&nbsp;</p>



<p class="wp-block-paragraph">10:27&nbsp;</p>



<p class="wp-block-paragraph">LD: Absolutely, but it was a little bit more expansive than I was used to, because in <strong>Warcraft</strong> you create farms and barracks and this giant world of stuff.&nbsp;</p>



<p class="wp-block-paragraph">10:41&nbsp;</p>



<p class="wp-block-paragraph">DH: Right, an entirely different type of thing, really.&nbsp;</p>



<p class="wp-block-paragraph">10:44&nbsp;</p>



<p class="wp-block-paragraph">LD: Exactly, so very much during that point in time I was immersed. I remember back in the day when we still had desktops, and laptops were like a luxury, we would bring our whole like tower units to people&#8217;s houses and have parties. So, we were of that ilk. But after getting into the adult working world, that kind of fell off a little bit and then kind of picked its way up on occasion when you find the right friends. Hey, we haven&#8217;t played blah blah blah in a while. So we play online and connect, but probably not as hardcore as Mr. Mats here.&nbsp;</p>



<p class="wp-block-paragraph">11:24&nbsp;</p>



<p class="wp-block-paragraph">DH: Definitely not as hardcore as this. Now, before we leave the disclaimer, you are a parent, you mentioned this that your kids do game a bit.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">11:32&nbsp;</p>



<p class="wp-block-paragraph">LD: Yeah.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">11:33&nbsp;</p>



<p class="wp-block-paragraph">DH: Are you okay with them gaming? Are you one of these reluctant to allow your kids to use technology parents? Where do you stand in that regard?&nbsp;</p>



<p class="wp-block-paragraph">11:41&nbsp;</p>



<p class="wp-block-paragraph">LD: I like to allow them to play, because kids should play. Now I don&#8217;t prefer them being on it, 24/7, that sort of thing, or even for the majority of the time, because I would love them to be outside and playing, doing something a little bit more physical, is definitely my stance, but at the same time, it&#8217;s part of the world, right? It&#8217;s not like they can avoid playing video games. It&#8217;s part of normal childhood nowadays. So do I want to take that away from them? No, but do I want them to be completely immersed and addicted to it? Absolutely not either. So it&#8217;s kind of that balance. But right, how about yours?&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">12:27&nbsp;</p>



<p class="wp-block-paragraph">DH: Same, same. I mean, we&#8217;re reformed gamers from our youth, but conveniently we forget that when we talk to our children, we forget how into it we were, right?. The problem is the bells and whistles that come with games these days, it&#8217;s so enticing, not just for the kids, even dad wants to play, right? But I&#8217;m always the bearer of bad news, like I&#8217;m the bucket of cold water. Like these are bad for you. You don&#8217;t want to be addicted. You can play, but we&#8217;re gonna turn it off in 15 minutes. I’m always issuing these decrees, which, when I look back, are not things I would have wanted to follow as a kid at all. So I get the frustration that my children feel, but I also feel like games these days are a little bit different, like they really can take over your life, in a way. And I think this movie is going to talk about this, but from a different vantage point, because we&#8217;re so used to hearing about how bad games are for you and how bad your smartphone is, and how social media gives you anxiety, right? And leads to teen suicide and all these bad things about games. This movie, in its own little way, is telling us the opposite. So I think it&#8217;s worth talking about.&nbsp;</p>



<p class="wp-block-paragraph">13:36&nbsp;</p>



<p class="wp-block-paragraph">LD: I think it&#8217;s painting the entire game world with one broad brush, right? To say it&#8217;s all bad, but there are pockets which are very helpful for a lot of folks who have certain challenges. So in this particular case, Mats, who was confined to a wheelchair, right? Otherwise, most kids, you&#8217;d want them to go to the park and play. Well, that&#8217;s not an option for him, right? So he could go to the <strong>World of Warcraft</strong> and play with other folks there. So that&#8217;s kind of his outlet, where he can have his own life. And the movie showcases where he had this other life, right, that his parents didn&#8217;t even know. And I think one of the opening scenes was something with his dad talking about the eulogy at his funeral, where he says something to the effect where Mats, being confined to a wheelchair, will never having friends and falling in love and writing all these things. But as the second part of the movie goes through, then you actually recount that he went through all those emotions, but he did all that online, which was quite an interesting achievement.&nbsp;</p>



<p class="wp-block-paragraph">14:55&nbsp;</p>



<p class="wp-block-paragraph">DH: It&#8217;s interesting because if he wasn&#8217;t disabled, right, we might look at that and say, That&#8217;s kind of weird, right? Like, if you came and told me that, you know, your buddy doesn&#8217;t go out of his room, sits at home all day, and fell in love with someone online that he never met and had real feelings and real emotions for someone who he&#8217;s never met or seen &#8211; we would find this kind of odd, right? In this case, Mats, of course, he gets a pass because he&#8217;s ill. He cannot go outside, right? And, because of that, it changes our whole understanding of the things that have happened to him. It allows us to be a little bit more understanding, which I think is really important. One thing I&#8217;ll say is that, as a family physician, I have seen in my practice in the last few years, a handful of times patients, young people, usually male, but also a few female &#8211; there&#8217;s more than one of these in my practice, and I don&#8217;t have a huge practice, out of a couple thousand patients, this has happened like four or five times &#8211; where a child does not come out of their room. They hit teenagerness, and at some point as a teenager, they&#8217;re in their room all day, and the parents come to see me. They&#8217;re really frustrated, they think something&#8217;s really wrong with their child. Their child doesn&#8217;t come down to eat meals. Their child&#8217;s on the computer all the time, and when they try to turn off the computer, the child gets very upset, right? They&#8217;re smashing things, they&#8217;re threatening to kill themselves. The parents are at wit&#8217;s end, and this is a really new phenomenon. There&#8217;s no medical textbook that explains how to deal with this, because this is a really new thing. It&#8217;s happening just in the last couple, maybe just the last decade, or maybe in Asia it&#8217;s happening a little bit longer, right? And when parents see their child acting like this, they get scared, and this actually happens in the movie. As the movie progresses, one of Mats&#8217; friends, a woman named Lisette, is part of the story, and she actually befriends Mats in the game. But at some point, she&#8217;s the one that he falls in love with. And at some point, she vanishes from the game, just completely disappears. And it turns out, in real life, her parents were fed up with her being on the computer all day, and made her log off and turned off the computer. Classic dictator parents style, right, without understanding why she needed to be there. And then they sent her off to school and she wasn&#8217;t allowed to log on, and it was a miserable year or two, I think, where this went on before she finally got allowed back into the game because Mats wrote her parents a letter. But I&#8217;ve seen this happen. I&#8217;ve seen this story from the angle of those parents. They come into my office at wits end, and no one knows what to do about it, right? The medical system says, Okay, maybe we&#8217;ll send them to a psychiatrist, right? Or sometimes, well, if he won&#8217;t come out of his room, can we send him to the emergency room for a psychiatric evaluation, right? I&#8217;ve seen emergency docs try to tell these kids you&#8217;re gonna go start going to school again, right? And then the kid agrees, and then maybe they go for a few days, but within a few weeks, the problem comes back again. So there&#8217;s something really insidious about the games, which I will admit this messes with me as a parent, because I see this and I&#8217;m like, okay, so these games are that addictive, right? So, son, we&#8217;re not gonna buy a Nintendo, sorry, right? But really that&#8217;s not fair. We&#8217;re drawing this generalization from these specific things that we&#8217;re seeing, but these specific things we&#8217;re seeing are so frightening, right? And this movie touches on all this and is asking us the question, are games all good or all bad, and if not, where should we stand on it? And why do people get into it? And why are people so addicted to it that they can&#8217;t stop playing? All of these questions get addressed to some degree, much more here than in any medical textbook or talk that I&#8217;ve ever attended.&nbsp;</p>



<p class="wp-block-paragraph">18:54&nbsp;</p>



<p class="wp-block-paragraph">LD: These are good questions and conversations to have with yourself, with your parents, your kids, depending on what life stage you are, because I think it&#8217;s one where it&#8217;s just gonna increase, right, with these games and virtual reality and whatever, there&#8217;s probably going to be more augmented reality, There&#8217;s another movie called Ready Player One, where he has an immersive set and basically everybody lives in two worlds, like the real world and this virtual one. And, well, I don&#8217;t know how long from now where that will be a regular thing, but it wasn&#8217;t too long ago when things like E Sports, weren&#8217;t around. But now, kids are making millions of dollars and a very good career playing video games.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">19:52&nbsp;</p>



<p class="wp-block-paragraph">DH: Now in the movie, Mats&#8217; parents initially reluctantly allow him to become an avid gamer. They basically are like, okay, he&#8217;s got this terminal illness. There&#8217;s nothing else you can do, so we&#8217;re just gonna let him play games. It&#8217;s almost like saying this kid has suffered enough, we&#8217;ll just let him have some fun, right? And that&#8217;s totally cool, right? That makes complete sense as a parent, right? Like, what else are you gonna do as a parent? The funny thing, though, is the parents actually, by doing this, give Mats his whole life, right? They give him the key to humanity, finding emotional and human connection, without realizing. They think they&#8217;re just going to give him something to idle away the time, right? Time killer, pass some time, and it turns out to be a lot of time, right? But they&#8217;re like, honestly, what else is he gonna do, right? So that&#8217;s all that they think it is. And I think that, to me, my favorite part of the movie, is when they&#8217;re so startled when people start emailing them when they see that Mats has died, and they start to realize that their son, who had been sitting there on the computer and he could barely move by the end, so he&#8217;s just like fiddling with a mouse, staring at the screen. They probably just left him in the room for hours and hours, and didn&#8217;t interact with him too much. They probably never asked him what&#8217;s actually happening in the game. And in effect, he had this whole alter ego, right, that was like a fully formed adult person in the game that they knew nothing about. He was just sitting there in the room next to them, and they knew nothing about it. I just found that to be such a moving mental image that, to me, made the whole movie worth it, I was like, Luki, we gotta watch this. This is actually outstanding.&nbsp;</p>



<p class="wp-block-paragraph">21:36&nbsp;</p>



<p class="wp-block-paragraph">LD: I&#8217;m wondering how many of your patients might have a similar type of situation, where they might be living this whole new life, or a whole different life, absolutely, and their parents are kind of berating them and saying, like, what are you doing? You&#8217;re no good, blah, blah, blah. And meanwhile, they might be having all these amazing relationships and experiences online, and it&#8217;s just they&#8217;re doing it in a way that they can make sense of it, versus where, quote, unquote, we traditionally do so in the real world.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">22:11&nbsp;</p>



<p class="wp-block-paragraph">DH: In the movie, Mats actually gives us a potential answer for this, right? There is a character in the movie who also befriends Ibelin in the game. She&#8217;s a lady that has an autistic son. At some point in the game, she starts to share with Mats that she has a really difficult relationship with her son who can&#8217;t communicate with her and he is also playing <strong>World of Warcraft</strong>. So Mats suggests, why don&#8217;t you play the game with him? Right? And so they start playing the game together, and this becomes a bonding thing. They actually have a virtual hug and it changes the trajectory of her relationship with her son, right? So that whole thing was really eye opening, right? Because maybe it takes a person who plays the game and has lived the game and knows how therapeutic it is to understand. A patient comes into the medical office and they&#8217;re asking me, a reformed gamer, like I played video games 20 years ago. I&#8217;m like turn that thing off. Just like you, turn that thing off and get outside and exercise, right? Maybe we&#8217;re approaching this problem from the wrong angle. So I think there are some very neat messages that Mats teaches us in this movie.&nbsp;</p>



<p class="wp-block-paragraph">23:20&nbsp;</p>



<p class="wp-block-paragraph">LD: For sure, and it sounds like you have a new prescription to provide some of your patients as they come in.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">23:25&nbsp;</p>



<p class="wp-block-paragraph">DH: Next time, if your kid isn&#8217;t talking to you, make an avatar and get in the game and just see what they&#8217;re actually up to. A lot of times, I think that probably is true for parenting, right? We and our kids, we kind of veer off. We feel like we know what&#8217;s right for our kids without really knowing what&#8217;s going on with them. It doesn&#8217;t have to be this extreme, like in this game, but sometimes, maybe getting to understand what makes our kids tick is useful. But anyway, I&#8217;m just digressing into parenting world.&nbsp;</p>



<p class="wp-block-paragraph">23:52&nbsp;</p>



<p class="wp-block-paragraph">LD: Well, no, I think that&#8217;s an important part of the story. And it reminds me of some of the expressions that my kids talk about. So now they&#8217;ve got into the point where the younger one is recounting back in my day, because we say that as we&#8217;re talking and explaining why they should or shouldn&#8217;t do something, right? So it&#8217;s become a thing where he actually turns that type of voice, where he goes, back in my day, and whenever we recount something. So it is that perspective of a parent saying, Well, we know better than you, because when we were growing up, this is how it was. But it&#8217;s not how it was. So I think the movie points to having those conversations, taking those different perspectives, and that might be one of the solutions. Okay, play the game and get an understanding of what your kids are doing and well, whether you like it or not, whether you agree or not, but that should open your eyes and give you a slightly different perspective. So I think that&#8217;s, again, good messages from the story and to be honest, for me, when I was watching the movie at first, the moment where they post the message on his blog that he had passed away, and then you start getting all the blips for all the emails, and then another one. .&nbsp;</p>



<p class="wp-block-paragraph">25:19&nbsp;</p>



<p class="wp-block-paragraph">DH:.. and another one of them. I cried I had a bit of teary eyes during that whole part of it, and it was a very touching moment, because, it&#8217;s intense. Now I will say, I mean, I might as well just give a bit of a review of the movie. The second half of the movie, to me, was a hard watch, the movie gets, it gets pretty dark, right? He&#8217;s getting sick, and it&#8217;s not like an uplifting like Saturday night at the movie theater, it&#8217;s intense, and I guess we expected it, and there&#8217;s some really emotional stuff that happens. It&#8217;s not just that he&#8217;s getting sick, because we kind of know that&#8217;s going to happen, but we&#8217;ll talk a bit more about this later, but overall, I think the movie is really, really important, and really looks at this gaming thing from a whole different angle than what we&#8217;re used to seeing, but it is not a super easy movie to watch, just so people can brace themselves. Alright, let&#8217;s switch up a little bit, because you had written down that you wanted to talk a little bit about this whole concept of disability and terminal illness, so I&#8217;m curious what you wanted to talk about here.&nbsp;</p>



<p class="wp-block-paragraph">26:22&nbsp;</p>



<p class="wp-block-paragraph">LD: Well, for me, one of the bleaker parts of the story is having a child, having a family member that has a terminal illness. So I take a look at some folks, some families, some people, where their lives revolve around this person, right? They can&#8217;t travel, they can&#8217;t do this, they can&#8217;t do whatever, because they have to take care of, or when they do travel, it has to be in a slightly different way, right? So it&#8217;s just calling out how people with those types of challenges, they sacrifice a lot, and they&#8217;re like mini heroes, I guess, in being able to…&nbsp;</p>



<p class="wp-block-paragraph">27:10&nbsp;</p>



<p class="wp-block-paragraph">DH: Not mini heroes, mega heroes.&nbsp;</p>



<p class="wp-block-paragraph">27:14&nbsp;</p>



<p class="wp-block-paragraph">LD: Mega heroes, for being able to basically give up a “normal life” in order to care for someone, right? So that&#8217;s a little bit of that, because when growing up, we didn&#8217;t really have anybody with any terminal illnesses. But my grandfather, before he passed away, had Alzheimer&#8217;s and kidney failure, so we had to go through dialysis. So there were years where basically, our schedules revolved around him, right? Someone always had to be home to change his dialysis bag. Someone had to do whatever, and we couldn&#8217;t travel as much. So, and in full honesty, there was my part being a selfish kid, there&#8217;s a little bit of resentment.&nbsp;</p>



<p class="wp-block-paragraph">DH: You were gaming.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">28:04&nbsp;</p>



<p class="wp-block-paragraph">LD: Well, if I was gaming, I’d have to interrupt my game to, like, change my grandfather&#8217;s dialysis bag. So again, what an idiot, or what a selfish being I was.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">28:20&nbsp;</p>



<p class="wp-block-paragraph">DH: We all are, ultimately, right.&nbsp;</p>



<p class="wp-block-paragraph">28:22&nbsp;</p>



<p class="wp-block-paragraph">LD: But it&#8217;s one of those things where it&#8217;s just calling to mind where there are folks who are very privileged, and there are folks that make other sacrifices for the ones they loved, and it&#8217;s thinking about at some point, there&#8217;s probably going to be aging parents, that some of us are going to have to deal with some of that in life, and, yeah, who knows what sort of challenges. So it&#8217;s just putting another perspective, another piece of gratitude, I would say, for folks to just appreciate everybody&#8217;s healthy, and everybody&#8217;s able to do whatever you want, then, just count your lucky stars. So that&#8217;s what I wanted to talk a little bit about terminal illness or disabilities &#8211; have you encountered it in your life, or what sort of challenges has it brought forth?&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">29:23&nbsp;</p>



<p class="wp-block-paragraph">DH: I have not really dealt with this in the form of a child so much. I mean, I&#8217;ve seen it with my patients. I know in the families there&#8217;s a child that&#8217;s really ill, and you see how much pressure it puts parents under. You know, my dad has been ill with dementia for more than a decade, so you kind of see that decline, which many people have seen. I mean, fortunately, Duchenne and muscular dystrophy isn&#8217;t that common, so this isn&#8217;t something a lot of people encounter. I think the movie does a really good job of showing us, showing everybody, you know, what this illness is like, what the family has to go through, what Mats&#8217; life is like. I think it paints a really nice picture of that, because we need to see that as people. We forget about this stuff too easily, right? Like when we talk about healthcare policy or parenting, or even the role of video games in the world, right? We are always thinking about it from the standpoint of robust, young, healthy kids and their overstressed parents or something, right? But actually, there are people who have to deal with much, much more complicated variations of life, and I think this movie does a really good job of that. And in that sense, I do think it&#8217;s actually a movie that people should watch. And, you know, even our children, as they get a little bit older, they should probably see it, and it gives a bit of sense of balance, you know. The things that you&#8217;re complaining about, they&#8217;re not real issues, right? When you see what Mats has to go through. So on this level, kudos to the movie for showing us this.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">30:53&nbsp;</p>



<p class="wp-block-paragraph">LD: I like towards the end that, I think they had a section where he was doing some public service announcements on the use of some of the mobility tools or access tools for someone with handicaps or disabilities and things like that, so the little devices that he can click and access and but that&#8217;s another amazing part, where if you have limited mobility, he was still able to navigate an entire world, but he couldn&#8217;t really stretch and push or type or all that stuff. And I guess one of the points in the movie is that they didn&#8217;t, or he&#8217;d never want to join their group calls or group meetings or something, because my guess is that he probably couldn&#8217;t have. Couldn&#8217;t speak as well.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">DH: If he had to do a group call, and it&#8217;s like a video chat, people would see that he looked strange to them, right? He could have turned off his camera, he was being self-conscious about that too, which all makes sense. I don&#8217;t think I thought about the gratitude part of this movie until you talked about it just now. But it does really hit me, because I&#8217;ve been thinking about it so much from the academic viewpoint, right? Like, what is the video game angle, and the humanities angle, but I think this very basic angle is actually probably the best way to view the movie, because it really gets to the underlying humanity of it, that most of us should actually appreciate where we are and stop worrying about stuff.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">Score one for the non-clinician, yeah.&nbsp;</p>



<p class="wp-block-paragraph">32:37&nbsp;</p>



<p class="wp-block-paragraph">LD: I have started on this trek to always see if I can pull it back to gratitude, right? Because, to be honest, wherever you are, if you&#8217;re able to listen to this podcast, you&#8217;re in a good spot, right? Think about that. So I&#8217;ve been saying this to a bunch of folks, is that your worst day is someone else&#8217;s dream.&nbsp;</p>



<p class="wp-block-paragraph">The fact that you have access to a podcast player means you probably have access to some sort of smartphone device, right, and data and stuff, that you&#8217;re probably in the first world, right?. And yes, you may have challenges or money problems or whatever, but at least you don&#8217;t have Duchenne&#8217;s. And for those of you who do, and you&#8217;re listening, props to you, but the fact that you&#8217;re able to listen here right, and do whatever it is that you can do, there&#8217;s so much to be grateful for.&nbsp;</p>



<p class="wp-block-paragraph">33:50&nbsp;</p>



<p class="wp-block-paragraph">DH: Absolutely. Now, one thing I wanted to talk a little bit about is this whole business of what&#8217;s the purpose of life? This movie does get to this in the later part, right? Mats himself says something like, I need to know. I&#8217;m just gonna paraphrase, it&#8217;s not a direct quote, but he basically says something like, I need to know that I affected other people&#8217;s lives so that my life will have meaning. Otherwise, the whole point of it would have been for not, right? And this, to me, is a really interesting take, because this is a kid. I mean, he&#8217;s young. I&#8217;m gonna call him a kid, but he&#8217;s like, 20 something, but he&#8217;s a young guy with a terminal illness. He, more than anyone else in the world, probably could just say, screw it, and be selfish and be like, You know what? They gave me a bad hand, I&#8217;m miserable, like, I&#8217;ll just enjoy my life and whatever. But he actually says, I want to make a difference to people, and he does make a difference. He goes out of his way in the game to get to know people, befriend them, befriend them in a real, in a meaningful way, and does affect their lives. He brings people closer to their families and brings them closer to emotional healing many times, it&#8217;s recounted throughout this movie. I found it fascinating that he had such a strong will to do this. And sometimes the rest of us, getting to your point, we forget about gratitude, right? We&#8217;re miserable, even though we have the ability to do all this stuff to help people and be part of the community and care. We&#8217;re too busy being annoyed about the state of the government or taxes and whatnot, right? So I thought this was a really interesting thing, that he had this ambition to help people. That&#8217;s one part. The second thing that I thought was really interesting was that, as the movie goes on, and this is where I think it becomes a bit of a tough watch, because, it&#8217;s not just that he&#8217;s getting physically ill. The fact that he&#8217;s hiding the truth of his actual condition from all the other players in the game starts to take a toll, right? Like, at some point he starts to, he starts to have difficulty, I think it&#8217;s with one of his fingers. He can&#8217;t push the buttons fast enough. And part of <strong>World of</strong> <strong>Warcraft</strong>, you actually have to participate in fights against villains and monsters. He can&#8217;t fight in those things where he gets defeated easily, right? And people don&#8217;t really understand why, and he can&#8217;t explain it. He starts to get testy with the people around him. He sees that his girlfriend in the game is talking to another guy and gets jealous and starts to try to pit people against other people, right? He becomes a little bit of a nasty individual for a while, until the other players in the game decide that we need to have an intervention. Mats, what is going on with you? This stuff was really strange to watch because it was reenacted in the form of the game with the video game character graphics, but all at the same time, it was so real, like, this is actual real life. This happens to people, right? And he&#8217;s exhibiting all the classical signs of someone who&#8217;s just very angry and emotionally unconnected. And then where he finds healing at the end is when he finally confronts, is confronted by someone, and tells them the truth, and people start to understand that, oh, that&#8217;s why he&#8217;s being this way. And they start to understand. And I was just like, this is so heavy. This is so heavy and what he needed all along was actual emotional connection, right? And somehow he maybe couldn&#8217;t articulate it, but he needed that, even though this is a kid who has a loving family, he&#8217;s got a terminal illness, he has no way to articulate, but what he really needs is to be connected to the people around him and to find meaning in his life and to be helping others. I found that the fact that that underlying humanity could come through despite the Duchenne and the fact that he was almost like really end-stage at this point to be really moving.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">37:54&nbsp;</p>



<p class="wp-block-paragraph">LD And I guess going back to your original question about the purpose of life, perhaps he found it.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">And for me, it&#8217;s to help others, and it&#8217;s the impact. On my side, the people I connect with are always on the career coaching piece, and people are looking for titles and money and moving up. But ultimately, when you get down to it, it&#8217;s how am I contributing to others? And what Mats said is like, how am I changing the world? How do I matter? But it&#8217;s not about changing the world. It&#8217;s about changing your world, right? So impacting the people around you, whether it&#8217;s your family, whether it&#8217;s the <strong>World of</strong> <strong>Warcraft</strong> and people online. I think they had his guild that he joined, and people were helped, and all those messages that he got were because, oh, Mats helped me through a trying time in my life, and he listened, and he paid attention. So sometimes just a sympathetic ear is all it takes to help and being there. It doesn&#8217;t necessarily take money or power or fame, but it&#8217;s that contribution, it&#8217;s that helping out and being there and present. Seems like he found his purpose. Now that doesn&#8217;t mean everybody should go online and start becoming a therapist for everybody there, but figuring out what is that purpose for, for you is always a very interesting journey that you’ll have to be on. But yeah, it seems like even someone with Duchenne&#8217;s who shouldn&#8217;t be able to or has everything stacked against them, still has that ability, then I guess there&#8217;s hope for the rest of us.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">39:48&nbsp;</p>



<p class="wp-block-paragraph">DH: I would hope so, I would hope so. Now, anything else you want to add about the movie?&nbsp;</p>



<p class="wp-block-paragraph">39:56&nbsp;</p>



<p class="wp-block-paragraph">LD: No, I think we covered a lot of it. To me, it&#8217;s taking away that broad brush to say that all video games are bad. Oftentimes, you don&#8217;t understand it as well, because it&#8217;s one of those areas where I think people find escape, people find peace, people find connection and relationships in different ways, For most people, it&#8217;s real life, meeting people at events, at parties, at school get-togethers but more and more, it’s meeting people online. And that&#8217;s more and more the norm. But again, what is the world becoming, right? Over the Christmas holidays, we actually got a VR headset. And there is this world out there. Now, right now, it’s not really that clear, but I could see it eventually. You could actually immerse yourself in this. And maybe something similar to what Ibelin, what Mats had gone through. There&#8217;s going to be more and more people lost in that world, where I can picture professional networking events, where you just attend and you have this avatar, and you&#8217;re walking to a conference that&#8217;s happening, I don&#8217;t know, halfway across the world, right? And you meet and “build” relationships there, as if you were there, but you&#8217;re online, right? So it&#8217;s going to be a different world. And the interesting part, I think you touched on it, is where the medical establishment doesn&#8217;t know how to deal with it.&nbsp;</p>



<p class="wp-block-paragraph">41:48&nbsp;</p>



<p class="wp-block-paragraph">DH: Well not just medical, l the education establishment doesn&#8217;t know how to handle it. Parents don&#8217;t know how to handle it. Nobody knows how to handle this stuff. It&#8217;s too new.&nbsp;</p>



<p class="wp-block-paragraph">41:56&nbsp;</p>



<p class="wp-block-paragraph">LD: I think you had it right, where, at the end of the day, it&#8217;s all about connection. I think that&#8217;s the key, whether it&#8217;s in real life, whether it&#8217;s online, whether it&#8217;s wherever, once you find that connection, once you find your tribe, oftentimes that&#8217;s where you will spend the most of your time. So I actually had a conversation about Maslow&#8217;s hierarchy of needs, where you have, the physiological needs and then safety, and then relationships is somewhere in the middle. Well, maybe he got it wrong, where relationships need to be the foundation. Because if you think about it, for babies, like, what can they do? So it&#8217;s the relationships and the parents, and it&#8217;s everyone around them that takes care of them. And if you think about it, so Mats&#8217; family, or anybody else who has a strong set of folks that take care of them, they will always be taken care of, right? They will take care of their physiological needs, right? Whereas someone who has all their physiological needs, all the money, all the food, everything set without relationships, it&#8217;s a mess. It&#8217;s a mess, right? So maybe if we focus on our relationships, and actually, I&#8217;ve been talking to more folks where people are focusing on their physical health. Great. You go to the gym, workout three days a week, 60 minutes, all that sort of stuff. Awesome. Now more folks are taking care of their mental health, where I&#8217;m meditating 5, 10 minutes every day, right? Cool, awesome. But how many of us actually focus on our social health, right? Do we allocate 30 minutes a week, an hour a week, to reconnect with friends, family, whomever is closest to us, just to say hi? And I&#8217;m guilty of that myself, right? Where I kind of wish that I had a better relationship with my siblings, right? So we have, like, a weekly Zoom chat with my family. But all we talk about is superficial stuff. How&#8217;s the week? Oh, yeah, we had this, this happen, blah, blah, blah, blah, blah. But what about, like, the more deeper conversations with the ones closest to you, your good friends and stuff like, how much time do we allocate for that? And if that&#8217;s as good, or should be as good as our mental or physical health, then I think you hit the nail on the head with that whole connection piece, as you were talking about that. I think that&#8217;s the most important part, which I think the movie is highlighting in spades.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">44:42&nbsp;</p>



<p class="wp-block-paragraph">DH: Oh, you said it so well, I&#8217;m not going to add anything to that point. The last thing that I will add is that this movie did teach me a lot about medical humanities. I never really appreciated the role of technology in medical humanities, right? I guess maybe because I always thought about the history of medicine and I know that medicine is always advancing forward, and that there&#8217;s new research and new medical treatments, like we talked about the new treatments for cancer last month. But the world is always changing, and because the world is changing and throwing these new technologies at us, it creates new scenarios. So there&#8217;s all this new cutting-edge stuff happening in medical humanities. This stuff is actually very, very fresh, right? And I thought that was eye opening to me, because I had this idea when we started the podcast, you and I would read some old books, and that would be it. But this is actually much more cool than that. We&#8217;re talking about tech and tech is a fundamental part of it. It was in the cancer book too, right? The cancer book was all about how the world keeps pushing forward. We&#8217;re finding new ways to combat new illnesses that are developing. Here, you know, there&#8217;s going to be good and bad for video games, right? It&#8217;s going to create some problems. It&#8217;s going to solve some other problems. It&#8217;s all very convoluted and complex, and it&#8217;s good that we&#8217;re able to have a conversation to get some of these ideas out there.&nbsp;</p>



<p class="wp-block-paragraph">46:09&nbsp;</p>



<p class="wp-block-paragraph">LD: I&#8217;d echo all that sentiment, and I guess we&#8217;re in early days, because this is medical humanities, but as humans, we&#8217;re evolving, and technology is helping us to evolve. So if we were to record another podcast like this in a year, in five and 10 years, who knows what the next advancement will be, and yeah, we might have been like, ah, remember back in 2025 when we&#8217;re talking about blah blah blah, back in my day, and blah, blah, blah, those types of things.&nbsp;</p>



<p class="wp-block-paragraph">46:44&nbsp;</p>



<p class="wp-block-paragraph">DH: Absolutely. But overall, I&#8217;ve really enjoyed the movie. It is hard. It&#8217;s not an easy movie to watch, but it gives you a lot to think about. I think people should try to check it out. There aren&#8217;t a lot of movies that jump out at me as being medical humanities things that has this much to say, and I think this is one of them. One thumb up from me.&nbsp;</p>



<p class="wp-block-paragraph">47:08&nbsp;</p>



<p class="wp-block-paragraph">LD: I&#8217;d agree. Well, it&#8217;s not a no-brainer popcorn flick on the weekend, so it takes a little bit more of effort and brainpower and just making sure that you&#8217;re there and if you have a box of tissues for key moments, that might be helpful too. I agree. I&#8217;d give it another thumbs up.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">47:26&nbsp;</p>



<p class="wp-block-paragraph">DH: We&#8217;re all evolved men. There&#8217;s nothing wrong with crying once in a while, it&#8217;s all part of the emotional connection thing. So that&#8217;s our discussion about Ibelin. Check out the movie. We highly recommend it. There&#8217;s a lot to think about. If you have any thoughts, comments about the movie, if you&#8217;ve seen it, or just questions for us, hit us up on the MedHum website. There&#8217;s a link where you can comment, we&#8217;ll try to reply. Otherwise, see you in a month.&nbsp;</p>



<p class="wp-block-paragraph">48:18&nbsp;</p>



<p class="wp-block-paragraph"><strong>Apollo On Call</strong> is produced by MedHum.org. Special thanks to my co-host, Mr. Luki Danukarjanto. To hear some more of Luki and I discussing books, please check out the W5H Book Club Podcast available on Spotify and Apple or wherever you get your podcasts. Today&#8217;s theme song is Un Sospiro performed by my wife, Dr. Justina Sam. For more medical humanities content, please check out MedHum.org.&nbsp;</p>



<p class="wp-block-paragraph">Thanks for listening.&nbsp;</p>



<hr class="wp-block-separator has-text-color has-palette-color-12-color has-alpha-channel-opacity has-palette-color-12-background-color has-background is-style-wide"/>



<p class="wp-block-paragraph"></p>
</details>



<h5 class="wp-block-heading">The Remarkable Life&nbsp;of Ibelin Trailer</h5>



<figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper">
<iframe loading="lazy" title="The Remarkable Life of Ibelin | Official Trailer | Netflix" width="1310" height="737" src="https://www.youtube.com/embed/lM_hkJ0Rl-c?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
</div></figure>



<p class="wp-block-paragraph"></p>



<p class="has-small-font-size wp-block-paragraph">Images of Mats Sheen and Ibelin from Mats&#8217; Facebook page and   Medieoperatørene / Euforia</p>
]]></content:encoded>
					
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			</item>
		<item>
		<title>Between Two Worlds, New York to Uganda  </title>
		<link>https://medhum.org/multimedia/video/lucy_bruell/from-new-york-to-uganda/</link>
					<comments>https://medhum.org/multimedia/video/lucy_bruell/from-new-york-to-uganda/#respond</comments>
		
		<dc:creator><![CDATA[Lucy Bruell]]></dc:creator>
		<pubDate>Thu, 15 Aug 2024 18:43:00 +0000</pubDate>
				<category><![CDATA[Journey]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Africa]]></category>
		<category><![CDATA[compassion]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[diagnosis]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[healing]]></category>
		<category><![CDATA[healthcare]]></category>
		<category><![CDATA[hospital]]></category>
		<category><![CDATA[language]]></category>
		<category><![CDATA[medicine]]></category>
		<category><![CDATA[narrative]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[palliative]]></category>
		<category><![CDATA[rural]]></category>
		<category><![CDATA[stigma]]></category>
		<category><![CDATA[translation]]></category>
		<category><![CDATA[travel]]></category>
		<category><![CDATA[Uganda]]></category>
		<category><![CDATA[village]]></category>
		<guid isPermaLink="false">https://medhum.org/?p=7115</guid>

					<description><![CDATA[ A journey of translating care, bridging cultures, and fighting cancer in rural villages with dedication, compassion, and hope.]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">It’s mid-June, my last morning in Uganda. The birds are singing, there’s a cool breeze and a smoky sky. I’m sitting on the terrace of the guest house at St Francis Naggalama Hospital. It’s about 30 kilometers from Kampala in a rural part of the country. The hospital has a palliative care team led by nurse Prossy Nafula, and for more than ten years, Drs. Randi Diamond and Howard Eison, a husband and wife team from New York have traveled here to work with them, visiting people in the villages who have life threatening illnesses.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">This is my third trip to Naggalama.</p>



<figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1024" height="576" src="https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-4-1-120-sec-at-f-1.8-ISO-25-4032-x-3024-240612-1024x576.jpg" alt="" class="wp-image-7119" srcset="https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-4-1-120-sec-at-f-1.8-ISO-25-4032-x-3024-240612-1024x576.jpg 1024w, https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-4-1-120-sec-at-f-1.8-ISO-25-4032-x-3024-240612-300x169.jpg 300w, https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-4-1-120-sec-at-f-1.8-ISO-25-4032-x-3024-240612-768x432.jpg 768w, https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-4-1-120-sec-at-f-1.8-ISO-25-4032-x-3024-240612.jpg 1300w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">St. Francis Naggalama Hospital </figcaption></figure>



<p class="wp-block-paragraph">In the summer of 2016, I flew to Entebbe with the doctors to direct a documentary about the US-Ugandan palliative care team. I wanted to explore how the Americans fared in a place lacking the diagnostic tools and tests they depend on in the US, and whether people in the villages, many of whom rely on traditional healers, were receptive to their care.&nbsp;</p>



<figure class="wp-block-image alignright size-medium is-resized"><img loading="lazy" decoding="async" width="225" height="300" src="https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-4-1-100-sec-at-f-2.4-ISO-250-3024-x-4032-240606-225x300.jpg" alt="" class="wp-image-7149" style="width:320px" srcset="https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-4-1-100-sec-at-f-2.4-ISO-250-3024-x-4032-240606-225x300.jpg 225w, https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-4-1-100-sec-at-f-2.4-ISO-250-3024-x-4032-240606-768x1024.jpg 768w, https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-4-1-100-sec-at-f-2.4-ISO-250-3024-x-4032-240606-1152x1536.jpg 1152w, https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-4-1-100-sec-at-f-2.4-ISO-250-3024-x-4032-240606.jpg 1300w" sizes="auto, (max-width: 225px) 100vw, 225px" /><figcaption class="wp-element-caption">Studio Filming in Multiple Languages</figcaption></figure>



<p class="wp-block-paragraph">Access to healthcare remains a major problem in these areas. The people visited by the team are often in the advanced stages of their disease and need the liquid morphine provided by the government to ease their pain and suffering. Many of the villagers we visited had no idea of their diagnosis and what they could expect as their condition progressed.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">With the footage from earlier trips, we created a video about cancer and what to expect when diagnosed. The video will be shown on mobile phones by Village Health workers to the people they visit in their districts. The purpose of this trip was to produce translated versions of the program.&nbsp;&nbsp;&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">There are more than 40 languages spoken in Uganda. English, an official language of the country, and Luganda are the most widely spoken, but to reach a broader audience, including the rural population, we had to produce other versions. On this trip, we spent a week in Kampala at <strong><a href="https://www.stoneagepicturez.com/" target="_blank" rel="noreferrer noopener">Stone Age Pictures</a></strong> filming in Kiswahili, French, sign language and Luo, a language mostly spoken in northern Uganda. The plan is to record more versions once these are successfully piloted.</p>



<figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1024" height="576" src="https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-1-17-sec-at-f-1.6-ISO-1000-4032-x-3024-240605-1024x576.jpg" alt="" class="wp-image-7117" srcset="https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-1-17-sec-at-f-1.6-ISO-1000-4032-x-3024-240605-1024x576.jpg 1024w, https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-1-17-sec-at-f-1.6-ISO-1000-4032-x-3024-240605-300x169.jpg 300w, https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-1-17-sec-at-f-1.6-ISO-1000-4032-x-3024-240605-768x432.jpg 768w, https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-1-17-sec-at-f-1.6-ISO-1000-4032-x-3024-240605.jpg 1300w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Ali Musoke at Stone Age Pictures</figcaption></figure>



<p class="wp-block-paragraph">Ali Musoke is the head of Stone Age Pictures<strong><a href="https://www.stoneagepicturez.com/" target="_blank" rel="noreferrer noopener"> </a></strong>in Kampala and was&nbsp;the Director of Photography on my documentary film, <strong><em><a href="https://www.oliotyafilm.com/" target="_blank" rel="noreferrer noopener">Oli Otya? Life &amp; Lost in Rural Uganda</a></em></strong>, in 2017. Travel to and from Stone Age from our guest house averaged 20 minutes door to door. We drove alongside women and men carrying all sorts of items balanced on their heads even an open suitcase displaying pieces of jewelry.&nbsp;&nbsp; We passed roadside markets and goats nibbling grass on the side of the road. Traffic was heavier than I remember with government and army vehicles speeding down the middle of the road. Public transportation is either by boda boda motorcycles or buses, really no bigger than vans, that stop along the roads to pick up and drop off passengers. There were so many boda bodas to dodge,&nbsp; at times I felt I was an avatar in a video game, dodging incoming traffic.&nbsp;&nbsp;&nbsp;</p>



<figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1024" height="576" src="https://medhum.org/wp-content/uploads/2023/08/lucy-untitled-1-1900-sec-at-f-1.8-ISO-20-4032-x-3024-240613-1024x576.jpg" alt="" class="wp-image-7146" srcset="https://medhum.org/wp-content/uploads/2023/08/lucy-untitled-1-1900-sec-at-f-1.8-ISO-20-4032-x-3024-240613-1024x576.jpg 1024w, https://medhum.org/wp-content/uploads/2023/08/lucy-untitled-1-1900-sec-at-f-1.8-ISO-20-4032-x-3024-240613-300x169.jpg 300w, https://medhum.org/wp-content/uploads/2023/08/lucy-untitled-1-1900-sec-at-f-1.8-ISO-20-4032-x-3024-240613-768x432.jpg 768w, https://medhum.org/wp-content/uploads/2023/08/lucy-untitled-1-1900-sec-at-f-1.8-ISO-20-4032-x-3024-240613.jpg 1300w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Streets in Kampala</figcaption></figure>



<p class="wp-block-paragraph">Ali, his crew and I worked in the studio for six days.&nbsp;Together we directed and edited the new versions. To avoid having to re-edit the video for each language, on-camera actors- two nurses and three professional actors- had to read to time while watching the finely cut scenes in the video. For example, in the section about how cancer is diagnosed, we show techs examining scans then processing a blood sample, The translations of the scripts were handled by a professional translation service in Kampala. Because the translated versions were uniformly longer than the English one, we had the translators on the set to make any last-minute adjustments to the text and to ensure that the reading was accurate. Cultural differences quickly surfaced. For example, biopsy is not a commonly used word, and it was necessary to use a description of the procedure. Similarly, the phrase “palliative care” is not widely known, and not simple to translate. We used the English phrase but showed the team in the field talking to a patient and delivering medicine. Images played a key role throughout the video. For the sign language version, we split the screen evenly between the program and the accompanying signing so that people viewing the video on their mobile phones would be able to see the woman signing.&nbsp;</p>



<figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1024" height="576" src="https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-4-1-750-sec-at-f-1.8-ISO-20-4032-x-3024-240611-1024x576.jpg" alt="" class="wp-image-7118" srcset="https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-4-1-750-sec-at-f-1.8-ISO-20-4032-x-3024-240611-1024x576.jpg 1024w, https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-4-1-750-sec-at-f-1.8-ISO-20-4032-x-3024-240611-300x169.jpg 300w, https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-4-1-750-sec-at-f-1.8-ISO-20-4032-x-3024-240611-768x432.jpg 768w, https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-4-1-750-sec-at-f-1.8-ISO-20-4032-x-3024-240611.jpg 1300w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Ali flimming on location</figcaption></figure>



<p class="wp-block-paragraph">Once we finished the studio work, we set out for Naggalama to meet up with the team at St. Francis hospital and head out to the villages to visit women who have breast cancer.&nbsp;The next project is a video to help destigmatize a breast cancer diagnosis.</p>



<figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1024" height="576" src="https://medhum.org/wp-content/uploads/2023/08/lucy-untitled-1-3400-sec-at-f-1.8-ISO-25-4032-x-3024-240611-1024x576.jpg" alt="" class="wp-image-7136" srcset="https://medhum.org/wp-content/uploads/2023/08/lucy-untitled-1-3400-sec-at-f-1.8-ISO-25-4032-x-3024-240611-1024x576.jpg 1024w, https://medhum.org/wp-content/uploads/2023/08/lucy-untitled-1-3400-sec-at-f-1.8-ISO-25-4032-x-3024-240611-300x169.jpg 300w, https://medhum.org/wp-content/uploads/2023/08/lucy-untitled-1-3400-sec-at-f-1.8-ISO-25-4032-x-3024-240611-768x432.jpg 768w, https://medhum.org/wp-content/uploads/2023/08/lucy-untitled-1-3400-sec-at-f-1.8-ISO-25-4032-x-3024-240611.jpg 1300w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">Visiting Village Houses in Kampala</figcaption></figure>



<p class="wp-block-paragraph">As I drove with my crew along the red dirt, rough, and deeply rutted roads to the women’s homes, I couldn’t imagine how women in this area could cope with breast cancer, that is if they were able to be evaluated once they suspected they had an abnormality. Village Health Workers play a key role in connecting women to health centers.&nbsp;But evaluation and treatment is costly and require many trips to the Uganda Cancer Center in Kampala, a trip that can take two hours or more.&nbsp;&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">In this area, many people rely on traditional healers. Szozzi, our soundperson, grew up in one of the villages we drove through, and we stopped to say a quick hello to his family. He told me that the healers have a placebo effect, using talk to soothe their patients even when the herbs they offer have little effect on their physical illness. Sometimes, Szozzi said, people lack the language to express how they feel at vulnerable points in their lives. How a question is asked can make all the difference. And sometimes, they believe that by giving voice to what they feel can make the illness worse.</p>



<figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1024" height="576" src="https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-2-1-1150-sec-at-f-1.8-ISO-20-4032-x-3024-240614-1024x576.jpg" alt="" class="wp-image-7120" srcset="https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-2-1-1150-sec-at-f-1.8-ISO-20-4032-x-3024-240614-1024x576.jpg 1024w, https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-2-1-1150-sec-at-f-1.8-ISO-20-4032-x-3024-240614-300x169.jpg 300w, https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-2-1-1150-sec-at-f-1.8-ISO-20-4032-x-3024-240614-768x432.jpg 768w, https://medhum.org/wp-content/uploads/2024/08/lucy-untitled-2-1-1150-sec-at-f-1.8-ISO-20-4032-x-3024-240614.jpg 1300w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /><figcaption class="wp-element-caption">New buildings at St. Francis Hospital </figcaption></figure>



<p class="wp-block-paragraph">On this morning in Naggalama, we pack our bags and prepare for the trip in the hospital van to the Entebbe airport. The doctors and I take a final walk around the hospital grounds. Much is unchanged since my last visit. The hospital now offers CAT scans, and there is a new building with private rooms.&nbsp; We drop in on the maternity ward to say goodbye to Immy, a nurse and the spiritual leader of the palliative care team, who is caring for her new granddaughter born at the hospital the day we arrived.&nbsp;&nbsp;</p>



<p class="wp-block-paragraph">I leave with mixed feelings, overwhelmed by the needs of the population and grateful for the dedication of the health care workers. I will miss you, Naggalama.</p>



<p class="wp-block-paragraph">For readers interested in the art of translation, I recommend <em>Is That a Fish in Your Ear, Translation and the Meaning of Everything </em>by David Bellos&nbsp;</p>



<figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper">
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</div></figure>
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		<item>
		<title>When Neurons Get Tied Up in Knots: Human Fallibility and Folly in Asylum Psychiatry</title>
		<link>https://medhum.org/multimedia/video/russell_teagarden/when-neurons-get-tied-up-in-knots-human-fallibility-and-folly-in-asylum-psychiatry/</link>
					<comments>https://medhum.org/multimedia/video/russell_teagarden/when-neurons-get-tied-up-in-knots-human-fallibility-and-folly-in-asylum-psychiatry/#respond</comments>
		
		<dc:creator><![CDATA[Russell Teagarden]]></dc:creator>
		<pubDate>Wed, 27 Sep 2023 21:26:00 +0000</pubDate>
				<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[Humanities]]></category>
		<category><![CDATA[lobotomy]]></category>
		<category><![CDATA[mental health]]></category>
		<category><![CDATA[psychiatry]]></category>
		<category><![CDATA[Remedies]]></category>
		<guid isPermaLink="false">https://medhum.org/?p=7998</guid>

					<description><![CDATA[Exploring mental illness through art and history: films, books, and blogs on lobotomies, psychiatry, and the search for cures.]]></description>
										<content:encoded><![CDATA[
<h4 class="wp-block-heading">Podcast from <strong>The Clinic &amp; The Person</strong></h4>



<hr class="wp-block-separator has-text-color has-palette-color-12-color has-alpha-channel-opacity has-palette-color-12-background-color has-background is-style-wide" style="margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)"/>



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<p class="wp-block-paragraph">We look to three sources, a movie (<em>The Mountain</em>), a documentary film (<em>The Lobotomist</em>), and a nonfiction book (<em>Desperate Remedies</em>), for perspectives on human fallibility and folly in American asylum psychiatry during the first half of the 20th century. We focus in particular on the consequences of the overconfidence asylum psychiatry exhibited, the problem of medical knowledge in play, and the vulnerability of affected people from an absence of agency. These sources pointed to lobotomies, dental extractions, abdominal eviscerations, insulin comas, and other like illustrative interventions as case studies of what were once hailed as best medical practices that became horrors later. Recognizing that human fallibility and folly are an unchangeable feature of the human condition, we muse about whether we are any less exposed to such horrors today and forever.</p>



<figure class="wp-block-embed aligncenter is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper">
<iframe loading="lazy" title="The Lobotomist 2008 FULL" src="https://player.vimeo.com/video/200603341?dnt=1&amp;app_id=122963" width="640" height="356" frameborder="0" allow="autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share" referrerpolicy="strict-origin-when-cross-origin"></iframe>
</div><figcaption class="wp-element-caption">The Lobotomist&nbsp;– writer Barak Goodman, producers and directors Barak Goodman and John Maggio / American Experience (PBS) </figcaption></figure>



<p class="has-palette-color-5-background-color has-background has-small-font-size wp-block-paragraph"><strong>Content Sources:</strong><br><em>The Mountain</em> – writer / director Rick Alverson, Vice Studios, 2018. <br><em>The Lobotomist</em> – writer Barak Goodman, producers and directors Barak Goodman and John Maggio / American Experience (PBS) /<a href="https://vimeo.com/200603341" target="_blank" rel="noreferrer noopener">available online at Vimeo</a>, 2008. <br><em>Desperate Remedies</em>: <em>Psychiatry’s Turbulent Quest to Cure Mental Illness</em> ­­– author Andrew Scull / Belknap, 2022.<br>Audio clips from the documentary film, <em>The Lobotomist</em>, <a href="https://www.pbs.org/wgbh/americanexperience/films/lobotomist/#cast_and_crew" target="_blank" rel="noreferrer noopener">credits here</a>.<br><br><strong>Links:</strong><br>Russell Teagarden’s blog pieces at <a href="https://www.accordingtothearts.com/" target="_blank" rel="noreferrer noopener">According to the Arts</a> on <a href="https://www.accordingtothearts.com/2023/02/20/the-mountain/" target="_blank" rel="noreferrer noopener"><em>The Mountain</em></a> and <a href="https://www.accordingtothearts.com/2023/08/31/desperate-remediespsychiatrys-turbulent-quest-to-cure-mental-illness/" target="_blank" rel="noreferrer noopener"><em>Desperate Remedies</em></a>.<br><br>Other related blog pieces at According to the Arts:<br><a href="https://www.accordingtothearts.com/2022/05/02/madness-and-civilization-a-history-of-insanity-in-the-age-of-reason/" target="_blank" rel="noreferrer noopener"><em>Civilization and Madness</em></a><em>:  A History of Madness in the Age of Reason</em>, Michel Foucault<br><a href="https://www.accordingtothearts.com/2021/07/20/reading-foucaults-the-birth-of-the-clinic-in-2021-does-the-gaze-still-dominate-its-masters/" target="_blank" rel="noreferrer noopener"><em>Birth of the Clinic</em></a><em>:</em>  <em>An Archeology of Medical Perception</em>, Michel Foucault<br><a href="https://www.accordingtothearts.com/2022/05/31/the-vanishing-act-of-esme-lennox/" target="_blank" rel="noreferrer noopener"><em>The Vanishing Act of Esme Lennox</em></a>, Maggie O’Farrell <br>Francisco Goya’s painting referenced in the episode, <a href="https://www.franciscogoya.com/the-madhouse.jsp#prettyPhoto" target="_blank" rel="noreferrer noopener"><em>The Madhouse</em></a>.<br><br><a href="https://www.theclinicandtheperson.com/" target="_blank" rel="noreferrer noopener"><strong>The Clinic &amp; The Person</strong></a> is a podcast developed by our editor<strong> <a href="https://medhum.org/about/#Russell-Teagarden">Russell Teagarden</a></strong> to summon or quicken the attention of health care professionals, their educators, researchers and others to the interests and plights of people with specific health problems aided through knowledge and perspectives the humanities provide.<br><br>Feature image by<a href="https://unsplash.com/@berkshirecommunitycollege" target="_blank" rel="noreferrer noopener"> berkshirecommunitycollege</a></p>
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		<title>How Terrible it Was: Three Takes on the AIDS Crisis with Dr. Ross Slotten</title>
		<link>https://medhum.org/interview/practitioner-interview/russell_teagarden/how-terrible-it-was-three-takes-on-the-aids-crisis-with-dr-ross-slotten/</link>
					<comments>https://medhum.org/interview/practitioner-interview/russell_teagarden/how-terrible-it-was-three-takes-on-the-aids-crisis-with-dr-ross-slotten/#respond</comments>
		
		<dc:creator><![CDATA[Russell Teagarden]]></dc:creator>
		<pubDate>Sun, 25 Jun 2023 00:51:00 +0000</pubDate>
				<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Practitioner Interview]]></category>
		<category><![CDATA[AIDS]]></category>
		<category><![CDATA[Chicago]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[epidemic]]></category>
		<category><![CDATA[gay]]></category>
		<category><![CDATA[healthcare]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[LGBTQ]]></category>
		<category><![CDATA[literature]]></category>
		<category><![CDATA[Memoir]]></category>
		<category><![CDATA[nonfiction]]></category>
		<category><![CDATA[novel]]></category>
		<category><![CDATA[public health]]></category>
		<category><![CDATA[San Francisco]]></category>
		<guid isPermaLink="false">https://medhum.org/?p=8049</guid>

					<description><![CDATA[A physician reflects on the AIDS crisis, sharing personal and professional experiences from the early years of the epidemic.]]></description>
										<content:encoded><![CDATA[
<h4 class="wp-block-heading">Podcast from <strong>The Clinic &amp; The Person</strong></h4>



<hr class="wp-block-separator has-text-color has-palette-color-12-color has-alpha-channel-opacity has-palette-color-12-background-color has-background is-style-wide" style="margin-top:var(--wp--preset--spacing--40);margin-bottom:var(--wp--preset--spacing--40)"/>



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<p class="wp-block-paragraph">On this episode, we talk with Dr. Ross Slotten about his memoir, <em>Plague Years: A Doctor’s Journey through the AIDS Crisis</em>. He covers the time from when he entered family medicine practice just as AIDS was emerging, through the crisis, and the decades since as both a physician and a member of the at-risk community of gay men on the north side of Chicago. We also talk with Dr. Slotten about two other sources covering the early years of the AIDS crisis: a documentary film about the first country’s first AIDS unit at San Francisco General Hospital, and a literary novel about a group of gay men with AIDS or at risk for AIDS in Chicago. <br><br>More about Dr. Slotten’s background is <a href="https://chicagolgbthalloffame.org/slotten-ross/" target="_blank" rel="noreferrer noopener">here</a>, which includes authorship of the book, <a href="https://cup.columbia.edu/book/the-heretic-in-darwins-court/9780231130110" target="_blank" rel="noreferrer noopener"><em>The Heretic in Darwin’s Court: The Life of Alfred Russel Wallace</em></a> (published by Columbia University Press, 2006).<br></p>



<p class="has-palette-color-5-background-color has-background has-small-font-size wp-block-paragraph"><strong>Sources</strong>:<br><a href="https://press.uchicago.edu/ucp/books/book/chicago/P/bo52484613.html" target="_blank" rel="noreferrer noopener"><em>Plague Years: A Doctor’s Journey through the AIDS Crisis</em></a> by Ross Slotten, published 2020, University of Chicago Press<br><a href="https://www.imdb.com/title/tt9403508/" target="_blank" rel="noreferrer noopener"><em>5B</em>, directed by Paul Haggis and Dan Krauss, released June 2019</a><br><a href="https://www.penguinrandomhouse.com/books/553185/the-great-believers-by-rebecca-makkai/" target="_blank" rel="noreferrer noopener"><em>The Great Believers</em> by Rebecca Makkai</a>, published 2019<br><br><strong>Russell Teagarden’s blog pieces on episode sources:</strong><br><a href="https://www.accordingtothearts.com/2023/03/16/plague-yearsa-doctors-journey-through-the-aids-crisis/" target="_blank" rel="noreferrer noopener"><em>Plague Years</em></a><em><br></em><a href="https://www.accordingtothearts.com/2021/01/27/the-great-believers/" target="_blank" rel="noreferrer noopener"><em>5B<br>The Great Believers</em></a><br><br><strong>Recommendations (we didn’t have time to talk about):</strong><br><em>Rent</em> (play, movie), Jonathan Larson<br><em>Angels in America</em> (play, movie), Tony Kushne<br><em>Blue</em> (movie), Derek Jarman<br><br><a href="https://www.theclinicandtheperson.com/" target="_blank" rel="noreferrer noopener"><strong>The Clinic &amp; The Person</strong></a> is a podcast developed by our editor<strong> <a href="https://medhum.org/about/#Russell-Teagarden">Russell Teagarden</a></strong> to summon or quicken the attention of health care professionals, their educators, researchers and others to the interests and plights of people with specific health problems aided through knowledge and perspectives the humanities provide.<br><br>Feature image by <a href="https://unsplash.com/@iluhaza?utm_content=creditCopyText&amp;utm_medium=referral&amp;utm_source=unsplash">Iluha Zavaley</a> </p>
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